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Bach Edition: Complete Works (155 CD Box Set) | 
 enlarge | Creators: Johann Sebastian Bach, Andrew Manze, Stephen Cleobury, La Stravaganza Koeln, Pieter - Jan Belder, Emmy Verhey, Jaap Ter Linden, The Choir Of King's College Cambridge, The Brandenberg Consort, The Sixteen
Label: Brilliant Classics
Category: Music
List Price: $139.98
Buy New: $114.49
You Save: $25.49 (18%)
New (20) Used (5) from $114.49
Rating:  59 reviews
Sales Rank: 3613
Format: Box Set
Media: Audio CD
Discs: 155
Shipping Weight (lbs): 8.5
Dimensions (in): 15.3 x 5.4 x 5.2
MPN: 93102
UPC: 842977031027
EAN: 0842977031027
ASIN: B000HRME5U
Release Date: October 17, 2006
Availability: Usually ships in 1-2 business days
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| Tracks:
Disc 1
| • | Without tempo indication | | • | Adagio | | • | Allegro | | • | Menuet - Trio I - Polonaise - Trio II | | • | Without tempo indication | | • | Andante | | • | Allegro assai | | • | Without tempo indication | | • | Adagio | | • | Allegro |
Disc 2
| • | Allegro | | • | Andante | | • | Presto | | • | Allegro | | • | Affettuoso | | • | Allegro | | • | Without tempo indication | | • | Adagio ma non tanto | | • | Allegro |
Disc 3
| • | I. Ouverture | | • | II. Courante | | • | III. Gavotte I & II (alternativement) | | • | IV. Forlane | | • | V. Menuet I & II (alternativement) | | • | VI. Bouree I & II (alternativement) | | • | VII. Passepied I & II | | • | Sinfonia | | • | I. Ouverture | | • | II. Rondeau | | • | III. Sarabande | | • | IV. Bouree I & II (alternativement) | | • | V. Polonaise | | • | VI. Menuet | | • | VII. Badinerie |
Disc 4
| • | I. Ouverture | | • | II. Air | | • | III. Gavotte I & II | | • | IV. Bouree | | • | V. Gigue | | • | Wir muessen durch viel Truebsal in das Reich Gottes eingehen | | • | I. Ouverture | | • | II. Bouree I & II | | • | III. Gavotte | | • | IV. Menuet I & II (alternativement) | | • | V. Rejouissance |
Disc 5
| • | Allegro | | • | Adagio | | • | Allegro | | • | Allegro | | • | Adagio | | • | Allegro assai | | • | Allegro | | • | Largo | | • | Presto | | • | Allegro | | • | Andante | | • | Allegro assai | | • | Allegro | | • | Adagio | | • | Allegro |
Disc 6
| • | Allegro | | • | Adagio | | • | Allegro | | • | Without tempo indication | | • | Siciliano | | • | Allegro | | • | Without tempo indication | | • | Adagio e piano sempre | | • | Allegro | | • | Allegro | | • | Larghetto | | • | Allegro ma non tanto |
Disc 7
| • | Without tempo indication | | • | Largo | | • | Presto | | • | Without tempo indication | | • | Andante | | • | Allegro assai | | • | Without tempo indication | | • | Andante | | • | Allegro assai | | • | Allegro | | • | Largo ovvero adagio | | • | Allegro | | • | Without tempo indication | | • | Largo | | • | Allegro |
Disc 8
| • | Without tempo indication | | • | Adagio ovvero largo | | • | Fuga | | • | Without tempo indication | | • | Andante | | • | Allegro Assai | | • | Without tempo indication | | • | Alla siciliana | | • | Allegro | | • | Without tempo indication | | • | Adagio | | • | Allegro |
Disc 9
| • | Allegro | | • | Adagio | | • | Alla breve | | • | Allegro | | • | Adagio | | • | Allegro | | • | Allegro | | • | Larghetto | | • | Allegro ma non tanto | | • | Vivace | | • | Largo | | • | Allegro |
Disc 10
| • | Adagio | | • | Fuga (allegro) | | • | Siciliana | | • | Presto | | • | Allemanda | | • | Double | | • | Corrente | | • | Double, presto | | • | Sarabande | | • | Double | | • | Tempo di Borea | | • | Double | | • | Grave | | • | Fuga | | • | Andante | | • | Allegro |
Disc 11
| • | Allemanda | | • | Corrente | | • | Sarabande | | • | Giga | | • | Ciacona | | • | Adagio | | • | Fuga | | • | Largo | | • | Allegro assai | | • | Preludio | | • | Loure | | • | Gavotee & Rondeau | | • | Menuet 1 - Menuet 2 - Menuet 1 | | • | Bourree | | • | Gigue |
Disc 12
| • | Prelude | | • | Allemande | | • | Courante | | • | Sarabande | | • | Minuet I & II | | • | Gigue | | • | Prelude | | • | Allemande | | • | Courante | | • | Sarabande | | • | Bourree I & II | | • | Gigue | | • | Prelude | | • | Allemande | | • | Courante | | • | Sarabande | | • | Gavotte I & II | | • | Gigue |
Disc 13
| • | Prelude | | • | Allemande | | • | Courante | | • | Sarabande | | • | Minuet I & II | | • | Gigue | | • | Prelude | | • | Allemande | | • | Courante | | • | Sarabande | | • | Bourree I & II | | • | Gigue | | • | Prelude | | • | Allemande | | • | Courante | | • | Sarabande | | • | Gavotte I & II | | • | Gigue |
Disc 14
| • | Andante | | • | Largo e dolce | | • | Presto | | • | Allegro moderato | | • | Siciliano | | • | Allegro | | • | Vivace | | • | Largo e dolce | | • | Allegro |
Disc 15
| • | Andante | | • | Allegro | | • | Adagio | | • | Menuet 1 & 2 | | • | Adagio ma non tanto | | • | Allegro | | • | Andante | | • | Allegro | | • | Adagio ma non tanto | | • | Allegro | | • | Siciliano | | • | Allegro assai | | • | Allemande | | • | Corrente | | • | Sarabande | | • | Bourree anglaise |
Disc 16
| • | Prelude | | • | Allemande | | • | Courante | | • | Sarabande | | • | Gavotte 1 & 2 | | • | Gigue | | • | Prelude | | • | Allemande | | • | Courante | | • | Sarabande | | • | Bourree | | • | Gigue | | • | Prelude | | • | Fugue | | • | Sarabande | | • | Gigue-double |
Disc 17
| • | Prelude | | • | Fugue | | • | Allegro | | • | Prelude | | • | Loure | | • | Gavotte en rondeau | | • | Menuet 1 & 2 | | • | Bourree | | • | Gigue |
Disc 18
| • | Adagio | | • | Allegro ma non tanto | | • | Andante | | • | Allegro moderato | | • | (Adagio) | | • | (Allegro) | | • | Andante | | • | Allegro | | • | Prelude | | • | Fugue | | • | Vivace | | • | Adagio | | • | Allegro |
Disc 19
| • | Musical Offering. Ricercare a 3 | | • | Musical Offering. Ricercare a 6 | | • | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Largo | | • | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Allegro | | • | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Andante | | • | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Allegro | | • | Thematis Regii, Elaborationes Canonicae. Canon a 2 cancrizans | | • | Thematis Regii, Elaborationes Canonicae. Canon a 2 in unisono | | • | Thematis Regii, Elaborationes Canonicae. Canon a 2 motum contrarium | | • | Thematis Regii, Elaborationes Canonicae. Canon a 2 per augmentationum, contrario motu | | • | Thematis Regii, Elaborationes Canonicae. Canon a 2 per tonos | | • | Thematis Regii, Elaborationes Canonicae. Fuga canonica in Epidiapente | | • | Thematis Regii, Elaborationes Canonicae. Canon perpetuus super Thema Regium | | • | Thematis Regii, Elaborationes Canonicae. Canon a 2 | | • | Thematis Regii, Elaborationes Canonicae. Canon a 4 | | • | Thematis Regii, Elaborationes Canonicae. Canon perpetuus | | • | [Part 1] | | • | [Part 2] | | • | Canon simplex | | • | All'roverscio | | • | Beide sugleich, motu recto e contrario | | • | Motu contrario e recto | | • | Canon duplex a 4 | | • | Canon simplex ueber besagtes | | • | Idem a 3 | | • | Canon simplex a 3 | | • | Canon in unisono post semi fugam a 3 | | • | Alio modo | | • | Evolutio | | • | Canon duplex a 5 | | • | Canon duplex a 5 | | • | Canon duplex a 6 | | • | Canon a 4 augmentationem et diminutionem |
Disc 20
| • | Adagio | | • | Allegro | | • | Andante | | • | Allegro | | • | Without tempo indication | | • | Allegro assai | | • | Andante | | • | Presto | | • | Adagio | | • | Allegro | | • | Adagio ma non tanto | | • | Allegro |
Disc 21
| • | Siciliano, largo | | • | Allegro | | • | Adagio | | • | Allegro | | • | Largo | | • | Allegro | | • | Adagio | | • | Vivace | | • | Allegro | | • | Largo | | • | Allegro | | • | Adagio | | • | Allegro | | • | 3rd Movement. Cantabile, ma un poco adagio | | • | 4th Movement. Adagio |
Disc 22
| • | Aria | | • | Praeludium | | • | Rezitativ und Arie: Ich habe genug |
Disc 23
| • | (Prelude) - adagio ma non tanto | | • | Allemande | | • | Gigue | | • | Adagio | | • | Vivace | | • | Largo | | • | Presto | | • | Adagio | | • | Allegro ma non presto | | • | Adagio e piano | | • | Presto | | • | Largo | | • | Vivace | | • | Adagio | | • | Presto |
Disc 24
| • | Prelude & Fugue No. 1 in C major. Praeludium | | • | Prelude & Fugue No. 1 in C major. Fuga | | • | Prelude & Fugue No. 2 in C minor. Preludium | | • | Prelude & Fugue No. 2 in C minor. Fuga | | • | Prelude & Fugue No. 3 in C sharp major. Praeludium | | • | Prelude & Fugue No. 3 in C sharp major. Fuga | | • | Prelude & Fugue No. 4 in C sharp minor. Praeludium | | • | Prelude & Fugue No. 4 in C sharp minor. Fuga | | • | Prelude & Fugue No. 5 in D major. Praeludium | | • | Prelude & Fugue No. 5 in D major. Fuga | | • | Prelude & Fugue No. 6 in D minor. Praeludium | | • | Prelude & Fugue No. 6 in D minor. Fuga | | • | Prelude & Fugue No. 7 in E flat major. Praeludium | | • | Prelude & Fugue No. 7 in E flat major. Fuga | | • | Prelude & Fugue No. 8 in E flat minor. Praeludium | | • | Prelude & Fugue No. 8 in E flat minor. Fuga | | • | Prelude & Fugue No. 9 in E major. Praeludium | | • | Prelude & Fugue No. 9 in E major. Fuga | | • | Prelude & Fugue No. 10 in E minor. Praeludium | | • | Prelude & Fugue No. 10 in E minor. Fuga | | • | Prelude & Fugue No. 11 in F major. Praeludium | | • | Prelude & Fugue No. 11 in F major. Fuga | | • | Prelude & Fugue No. 12 in F minor. Praeludium | | • | Prelude & Fugue No. 12 in F minor. Fuga |
Disc 25
| • | Prelude & Fugue No. 13 in F sharp major. Praeludium | | • | Prelude & Fugue No. 13 in F sharp major. Fuga | | • | Prelude & Fugue No. 14 in F sharp minor. Praeludium | | • | Prelude & Fugue No. 14 in F sharp minor. Fuga | | • | Prelude & Fugue No. 15 in G major. Praeludium | | • | Prelude & Fugue No. 15 in G major. Fuga | | • | Prelude & Fugue No. 16 in G minor. Praeludium | | • | Prelude & Fugue No. 16 in G minor. Fuga | | • | Prelude & Fugue No. 17 in A flat major. Praeludium | | • | Prelude & Fugue No. 17 in A flat major. Fuga | | • | Prelude & Fugue No. 18 in G sharp minor. Praeludium | | • | Prelude & Fugue No. 18 in G sharp minor. Fuga | | • | Prelude & Fugue No. 19 in A major. Praeludium | | • | Prelude & Fugue No. 19 in A major. Fuga | | • | Prelude & Fugue No. 20 in A minor. Praeludium | | • | Prelude & Fugue No. 20 in A minor. Fuga | | • | Prelude & Fugue No. 21 in B flat major. Praeludium | | • | Prelude & Fugue No. 21 in B flat major. Fuga | | • | Prelude & Fugue No. 22 in B flat minor. Praeludium | | • | Prelude & Fugue No. 22 in B flat minor. Fuga | | • | Prelude & Fugue No. 23 in B major. Praeludium | | • | Prelude & Fugue No. 23 in B major. Fuga | | • | Prelude & Fugue No. 24 in B minor. Praeludium | | • | Prelude & Fugue No. 24 in B minor. Fuga |
Disc 26
| • | Prelude & Fugue No. 1 in C major. Praeludium | | • | Prelude & Fugue No. 1 in C major. Fuga | | • | Prelude & Fugue No. 2 in C minor. Praeludium | | • | Prelude & Fugue No. 2 in C minor. Fuga | | • | Prelude & Fugue No. 3 in C sharp major. Praeludium | | • | Prelude & Fugue No. 3 in C sharp major. Fuga | | • | Prelude & Fugue No. 4 in C sharp minor. Praeludium | | • | Prelude & Fugue No. 4 in C sharp minor. Fuga | | • | Prelude & Fugue No. 5 in D major. Praeludium | | • | Prelude & Fugue No. 5 in D major. Fuga | | • | Prelude & Fugue No. 6 in D minor. Praeludium | | • | Prelude & Fugue No. 6 in D minor. Fuga | | • | Prelude & Fugue No. 7 in E flat major. Praeludium | | • | Prelude & Fugue No. 7 in E flat major. Fuga | | • | Prelude & Fugue No. 8 in E flat minor. Praeludium | | • | Prelude & Fugue No. 8 in E flat minor. Fuga | | • | Prelude & Fugue No. 9 in E major. Praeludium | | • | Prelude & Fugue No. 9 in E major. Fuga | | • | Prelude & Fugue No. 10 in E minor. Praeludium | | • | Prelude & Fugue No. 10 in E minor. Fuga | | • | Prelude & Fugue No. 11 in F major. Praeludium | | • | Prelude & Fugue No. 11 in F major. Fuga | | • | Prelude & Fugue No. 12 in F minor. Praeludium | | • | Prelude & Fugue No. 12 in F minor. Fuga |
Disc 27
| • | Prelude & Fugue No. 13 in F sharp major. Praeludium | | • | Prelude & Fugue No. 13 in F sharp major. Fuga | | • | Prelude & Fugue No. 14 in F sharp minor. Praeludium | | • | Prelude & Fugue No. 14 in F sharp minor. Fuga | | • | Prelude & Fugue No. 15 in G major. Praeludium | | • | Prelude & Fugue No. 15 in G major. Fuga | | • | Prelude & Fugue No. 16 in G minor. Praeludium | | • | Prelude & Fugue No. 16 in G minor. Fuga | | • | Prelude & Fugue No. 17 in A flat major. Praeludium | | • | Prelude & Fugue No. 17 in A flat major. Fuga | | • | Prelude & Fugue No. 18 in G sharp minor. Praeludium | | • | Prelude & Fugue No. 18 in G sharp minor. Fuga | | • | Prelude & Fugue No. 19 in A major. Praeludium | | • | Prelude & Fugue No. 19 in A major. Fuga | | • | Prelude & Fugue No. 20 in A minor. Praeludium | | • | Prelude & Fugue No. 20 in A minor. Fuga | | • | Prelude & Fugue No. 21 in B flat major. Praeludium | | • | Prelude & Fugue No. 21 in B flat major. Fuga | | • | Prelude & Fugue No. 22 in B flat minor. Praeludium | | • | Prelude & Fugue No. 22 in B flat minor. Fuga | | • | Prelude & Fugue No. 23 in B major. Praeludium | | • | Prelude & Fugue No. 23 in B major. Fuga | | • | Prelude & Fugue No. 24 in B minor. Praeludium | | • | Prelude & Fugue No. 24 in B minor. Fuga |
Disc 28
| • | Praeludium | | • | Allemande | | • | Corrente | | • | Sarabande | | • | Menuet 1 / Menuet 2 | | • | Giga | | • | Sinfonia | | • | Allemande | | • | Courante | | • | Sarabande | | • | Rondeaux | | • | Capriccio | | • | Toccata | | • | Allemanda | | • | Corrente | | • | Air | | • | Sarabande | | • | Tempo di Gavotta | | • | Gigue |
Disc 29
| • | Fantasia | | • | Allemande | | • | Corrente | | • | Sarabande | | • | Burlesca | | • | Scherzo | | • | Gigue | | • | Ouvertuere | | • | Allemande | | • | Courante | | • | Aria | | • | Sarabande | | • | Menuet | | • | Gigue | | • | Praeambulum | | • | Allemande | | • | Corrente | | • | Sarabande | | • | Tempo di Minuetto | | • | Passepied | | • | Gigue |
Disc 30
| • | Fuga, nach dem Allegro der Sonata 6 in Jan Adam Reinkens |
Disc 31
Disc 32
| • | Allegro | | • | Largo | | • | Presto | | • | Ouvertuere | | • | Courante | | • | Gavotte 1 & 2, da capo | | • | Passepied 1 & 2, da capo | | • | Sarabande | | • | Bourree 1 & 2. da capo | | • | Gigue | | • | Echo | | • | Fantasie | | • | Fugue |
Disc 33
| • | Aria | | • | Variatio 1 | | • | Variatio 2 | | • | Variatio 3, canone all'unisono | | • | Variatio 4 | | • | Variatio 5 | | • | Variatio 6, canone alla seconda | | • | Variatio 7 | | • | Variatio 8 | | • | Variatio 9, canone alla terza | | • | Variatio 10, fughetta | | • | Variatio 11 | | • | Variatio 12, canone alla quarta | | • | Variatio 13 | | • | Variatio 14 | | • | Variatio 15, canone alle quinta, andante | | • | Variatio 16, ouverture | | • | Variatio 17 | | • | Variatio 18, canone alla sesta | | • | Variatio 19 | | • | Variatio 20 | | • | Variatio 21, canone alla settima | | • | Variatio 22, alla breve | | • | Variatio 23 | | • | Variatio 24, canone all'ottava | | • | Variatio 25 | | • | Variatio 26 | | • | Variatio 27, canone alla nona | | • | Variatio 28 | | • | Variatio 29 |
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| Customer Reviews:
 Bach to the Future November 29, 2008
bjlefevre (Texas)
After listening to a representative sample, I would argue this set is a bargain at 3 times the price:
Yes the recordings are much as Bach would have wanted them performed. Its as if you could enter a time capsule and arrive at the Thomaskirche just in time for the Sunday Mass. Most of the comments below about the sound or performance quality of this collection are due to this and not to production or recording standards which are high throughout.
The 17 discs of organ works alone are more than worth the price of admission. As a whole they could possibly be the best collection available today at any price. The vocal works are authentic to the era with modest ensembles that evoke the spirit of the lectionary or civic event. All Keyboarding is per harpsichord and wind instruments are 18th century in color and timbre.
The settings are primarily in the Netherlands and Sweden in venues appropriate to the objective of the collection. Packaging is not a disappointment either- the CD sleeves are tastefully adorned with art from the Renaissance and each lists solo voice and instrument performers. Highly recommended- its a joy to become engaged in the music of a master.
 A must for the Bach "completist" with some pearls in it to boot! November 20, 2008
Dastwood Biouf
2 out of 2 found this review helpful
I have had this collection for about 3 years, and keep it in my office so I listen to it while I work...a lot. I listen to other stuff too, but often the Bach is what's spinning on my CD player. I have listened to every CD in the collection at least 3 times (I know because when I first got it I mixed the order up semi-randomly and just cycle through the entire 155-CD collection. I also own a lot of Bach's major works on other CDs and have been listening to Bach all my life.
There are very few bad performances or recordings in the collection. I'm pretty picky, and I've never skipped over any of the CDs. There are quite a few that are somewhat mediocre in both performance and sound quality, particularly for the keyboard works (recordings are largely too bright, performances neither technically dazzling nor passionate) and the cantatas (recordings by and large are fine but the performances are often lackluster). Of course, the keyboard works and cantatas make up the lion's share of the CDs! I think that for the cantatas in particular, when a group of musicians have to slog through scores of them as part of a massive recording project, the performances often lose some of the savor that you get when the focus is just on one or two for a single CD. I think that applies to many "complete x, y, or z" recordings. On the other hand, I found the recordings of the Chorales, which ought to be similar ("OK, let's do number 56, great that's done, let's do number 57", etc.) to actually be quite lovely and full of the humanity and musical intensity that Bach put into writing them.
Like I said in the title, there are also some pearls. My favorite (this month) are the recordings of solo violin works by Mark Lubotsky, who is really an extraordinary musician and who ought to be better known in the U.S. That is really good stuff. He plays with just the right balance of brain and heart that, among all composers, is unique to Bach and which escapes so many many musicians.
If this collection were 3 times the price, I'd say buy it if you're a Bach "completist" and you like the idea of being able to listen to his entire oeuvre with nothing left out, but otherwise maybe consider purchasing some of its component CDs individually. BUT for heaven's sake it's less than a buck a CD, so if you like classical music and you have the $$$ just buy it!
Fantastic deal, and quality much better than expected! November 17, 2008
Dittohead (USA)
Since the "2000" Bach edition is fantastically expensive (around $1200), I decided to bite the bullet and go with this brand, at about 1/10 the price. I have read various reviews, many of which were of mixed quality, even accounting for the lower price.
I have now listened to about half of the set, picking some from each of the categories (Orchestral/Chamber, Keyboard, Cantatas, Vocal Works, and Organ Works), and I find the quality to be superior, much better than you would expect from some of the other reviews.
Some of the keyboard works were not of the best quality, but all of the Orchestral/Chamber works were great, and all of the cantatas I've listened to so far (just over half) have also been of excellent quality. (Some criticisms were that the instruments were out of tune. This may be explained by the use of "period" instruments, which don't generate as perfect a tone as modern instruments, but I did not notice any detuned items.) The vocal pieces were fine (although I have not listened to any of the Chorales yet), and the Organ works are of stellar quality. (From what I understand, the more expensive edition has Ton Koopman on the organ - which was one factor in my deciding to NOT get the more expensive edition.)
One nice touch in the cantatas is that the recordings use the Holland Boys Choir rather than the normal female soprano/alto singers, which gives an improved sound quality. Of course, a poor boys choir can be a painful sound indeed, but an excellent boys choir is a real treat. And you'd expect that (living in the Phoenix area) I'd be spoiled by hearing the world's-top-rated Phoenix Boys Choir! But the Holland Boys Choir did a very good job, so those that are not used to hearing boys choirs should appreciate them as well. The (adult) soloists were fine as well.
Overall, for 1/10 the price, you certainly can't go wrong. However, even if it was the same price, this would still be an excellent selection.
 Magnificent Compilation November 9, 2008
Oliver Heaviside (Continental Divide, Colorado)
0 out of 1 found this review helpful
A magnificent compilation of Bach's work which is substantially blemished by poor recording and mastering techniques. You'll find what interests you here, and often go elsewhere for decently balanced and acoustically well-rendered recordings. This is tragic, because many of the performances in this collection are very good or even excellent.
Bach Edition: Complete Works October 28, 2008
Duane Large (Philadelphia)
This is the greatest collection to have ever come out. I've spent several futile years trying to collect Bach's complete works and have not even scratched the surface. FINALLY a comprehensive box set is available, and moreover, the performances are fantastic! In a way, the performers have to be of the highest ilk to accomplish a box set of Bach's complete works, so the performances are bound to be good. As a professional musician, educator and music lover, I am absolutely ecstatic about the Bach Edition: Complete Works. I look forward to years of use and enjoyment out of it.
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