Vampire Weekend | 
 enlarge | Artist: Vampire Weekend
Label: Xl Recordings
Category: Music
List Price: $14.98
Buy New: $7.30
You Save: $7.68 (51%)
New (53) Used (13) from $6.60
Rating:  140 reviews
Sales Rank: 257
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.4 x 5 x 0.5
MPN: 40318
UPC: 634904031824
EAN: 0634904031824
ASIN: B0010V4TZU
Release Date: January 29, 2008
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: BRAND NEW Factory Sealed - Ready to be shipped within 24 hrs from California - Average 5 workdays delivery time - Excellent customer service - Buy with confidence!
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| Tracks:
| • | Mansard Roof | | • | Oxford Comma | | • | A-Punk | | • | Cape Cod Kwassa Kwassa | | • | M79 | | • | Campus | | • | Bryn | | • | One (Blake's Got A New Face) | | • | I Stand Corrected | | • | Walcott | | • | The Kids Don't Stand A Chance |
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| Editorial Reviews:
Amazon.com
It would take a lot for Vampire Weekend's debut to rise above the stench of privileged hype that surrounds it. A bunch of kids who formed the band in their Columbia dorm room borrow wholesale from Afrobeat and angular '80s stuff, and they quickly become an online buzz band before releasing a single album? Thankfully the record, and the band, are great fun: playful, pop-wise, and smart enough to pull their shtick off with aplomb. Organ and drums are often the focal point of the music, bringing to mind a goofier, happier Clinic (if that group's record-collecting habits were more scattershot). On the excellently named (and better sounding) "Cape Cod Kwassa Kwassa," Vampire Weekend asks, "Does it feel so unnatural / To Peter Gabriel too?," immediately disarming--with self-aware brazenness--any criticism of their pomo/postcolonialist borrowing of "ethnic" music. It's clear that these dudes have not only inherited the nerd-rock omnivore's mantle from the Talking Heads, they've actually and already improved upon it. --Mike McGonigal
Product Description
This NY four-piece draw on their diverse backgrounds and interests, experimenting with African guitar music, the Western classical canon, hazy memories of Cape Cod summers, winters in upper Manhattan, and reggaeton. "Equal parts shruggy New York indie strumming and groovy Afro-pop, Vampire Weekend's organ-and-drum runs highlight narratives about relationships, punctuation, and sometimes both" - Spin. Named "Hot New Kids" in Rolling Stone's "Hot" issue. Vinyl contains MP3 coupon.
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| Customer Reviews:
Vampire Weekend November 22, 2008
Thomas M. Tiehen
I stumbled across a track of theirs on Starbuck's radio, and liked the sound. The CD didn't disappoint. A driving beat and funky instrumentals. Different.
Le week-end UBUNTU November 3, 2008
Isaac Vera
This young promise it's a good mix between african music, rock, punk and other vibes. A cool CD if you are tired of the conventional bands. Banga Manga Baby.
Fun CD! October 28, 2008
dryhrdy
I think people in general are over thinking this album. I listen to this CD before going to work, because it puts me in such a good mood. Isn't that what it's all about? Why do people need to ruin it by worrying what groups Vampire weekend sound or don't sound like? It's a great album, although some songs ("Cape Cod Kwassa Kwassa") are better than others ("Bryn").
 Great Album October 24, 2008
Martin R. Digeronimo (Atlanta, GA)
This is an awesome album and you know Amazon will get them to you quickly! Add to your collection!
An instantly recognizable pop classic October 13, 2008
Alex TB
2 out of 2 found this review helpful
The impressive thing about new band Vampire Weekend's debut album is not its consistency or eclectic flavor, but instead its immediacy. Instead of any attitude that this weekend will be a weekend that we will remember for the rest of our lives, or that we will get smashed and do things that can't be erased, this weekend resonates of a straightforward, fun, in the moment attitude. It has been a long time since I have heard an album this shamelessly happy, and a long time since that kind of happiness has not been distracting or aggravating. Part of this might be due to the simple, warm instrumentation. The drums are propelling yet anything but tough. The guitars almost sound hushed. And everything else seems to be produced to be comfortable. That isn't to say that the album is boring, however. Although the aim might be comfort and happiness, the sheer consistency of the album keeps it unique and compelling. To say that the band are smart would be an understatement. This kind of utilization of stringed instruments suggests classical training, and anyone who even knows what an Oxford Comma is can't be a chump. Vampire Weekend seem to have discovered the alchemy to make pop gold. Arpeggiations dot songs beautifully throughout, most notably on the string laden M79, which makes use of hooks from a guitar, string section, and harpsichord (or at least the harpsichord setting of someone's keyboard). This song is not lonely in its appeal. In fact, even a new listener could go through the album and never have any even remote desire to switch songs. The fact that they hold attention while flipping through an ocean of variety is that much more pleasing and impressive. From loud Little Richard esque piano pop (Walcott), to African rhythms over simple chord progressions and pleasing switchups (Cape Cod Kwassa), to glowing Mark Mothersbaugh esque chamber pop (Campus), and to giddy electro fun (Blake's Got a New Face), there is not a corner of this album that feels unnecessary or able to be improved upon. This album gets the highest regards for the simple fact that every song is great, and it will appeal to people who listened to The Beatles in high school as well as people who remember the Rugrats theme song fondly.
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