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Brahms: Ein Deutsches Requiem | 
 enlarge | Creators: Johannes Brahms, Klaus Tennstedt, London Philharmonic Orchestra, Lucia Popp, Thomas Allen [baritone]
Label: BBC Legends
Category: Music
List Price: $17.98
Buy New: $11.69
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Rating:  1 reviews
Sales Rank: 132625
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
UPC: 684911423426
EAN: 0684911423426
ASIN: B0016KHATW
Release Date: May 13, 2008
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| Tracks:
| • | German Requiem, Op. 45: Selig sind die Leid tragen | | • | German Requiem, Op. 45: Denn alles Fleisch | | • | German Requiem, Op. 45: Herr, lehre doch mich | | • | German Requiem, Op. 45: Wie lieblich sind deine Wohnungen | | • | German Requiem, Op. 45: Ihr habt nun Traurigkeit | | • | German Requiem, Op. 45: Denn wir haben hie | | • | German Requiem, Op. 45: Selig sind die Toten |
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| Customer Reviews:
Luminous Brahms from Tennstedt, but not in the best sound September 11, 2008
Santa Fe listener
1 out of 1 found this review helpful
My current enthusiasm for Klaus Tennstedt didn't develop during his studio years, and I've come to believe that only his live concerts capture him at his best. Having never heard his German Requiem from 1984 on EMI, I bought this contemporaneous live version fearing that it would have iffy sonics -- and it does. The chorus isn't miked so that we can understand the words very often, and the London Phil. sounds murky in the bass line; there's not much detail to the inner voices either. Royal Albert Hall, with its long echo, remains the Wembley Stadium of concert venues.
Tennstedt's studio version had a reputation for being slow, and here the opening movement does drag a bit, but from there on out, Tennstedt creates a riveting sense of occasion. The London Phil. Chorus sings much better than the Vienna Singverein on Karajan's five versions -- all of which I admire -- and their energy and commitment drives the performance. Yet it's up to the conductor to build drama and tension, and this Tennstedt does with great skill -- at his best, he's as luminous and powerful as Furtwangler.
As for the two vocalists (who are different from the studio recording) both are inspiring. Thomas Allen gives a performance to rival any on disc, and even at Tennstedt's slow tempo, he finds intense dramatic expression in his part -- the baritone soloist functions as the soul of Brahms the Protestant striver -- equalling Hans Hotter and Dietrich Fischer-Dieskau in their celebrated accounts. Happily, forwrd microphone placement allows Allen to be heard with total clarity. The 'Traurigkeit' solo for soprano is usually a meaningless few minutes of floating legato, and it's to Lucia Popp's credit that she works hard to make it reverent and intense instead. Her singing is a bit effortful compared to, say, Janowitz, Battle, and Schwarzkopf, but that's a small matter.
In all, this is an inspiraiton from beginning to end, and I hope more lsiteners will fall under its spell.
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