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Beethoven Edition: Complete Works (85CD Box Set) | 
 enlarge | Creators: Ludwig Van Beethoven, Florian Prey, Gunther Leib, Haakon Schaub, Hartmut Welker, Jens Hamann, Siegfried Lorenz, Tom Krause, Vladimir De Kanel, Hermann-christian Polster
Label: Brilliant Classics
Category: Music
List Price: $139.98
Buy New: $94.93
You Save: $45.05 (32%)
New (20) Used (4) from $94.93
Rating:  11 reviews
Sales Rank: 5320
Format: Box Set
Media: Audio CD
Discs: 85
Shipping Weight (lbs): 4.9
Dimensions (in): 10.9 x 6.2 x 5.6
MPN: 93525
UPC: 842977035254
EAN: 0842977035254
ASIN: B000VBNRE4
Release Date: October 9, 2007
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Condition: BRAND NEW !! NEVER OPENED !! FACTORY SEALED !!
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| Tracks:
Disc 1
| • | Adagio molto - allegro con brio | | • | Andante cantabile con moto | | • | Menuetto | | • | Finale: adagio - allegro molto e vivace | | • | Allegro con brio | | • | Marcia funebre | | • | Scherzo | | • | Finale |
Disc 2
| • | Adagio molto - allegro con brio | | • | Larghetto | | • | Scherzo | | • | Allegro molto | | • | Poco sostenuto - vivace | | • | Allegretto | | • | Presto - assai meno presto | | • | Allegro con brio |
Disc 3
| • | Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande - allegro | | • | Szene am Bach - andante molto mosso | | • | Lustiges Zusammensein der Landleute - allegro | | • | Gewitter, Sturm - allegro | | • | Hirtengesang, frohe und dankbare Gefuehle nach dem Sturm - allegretto | | • | Allegro vivace e con brio | | • | Allegretto scherzando | | • | Tempo di Menuetto | | • | Allegro vivace |
Disc 4
| • | Adagio - Allegro vivace | | • | Adagio | | • | Allegro vivace | | • | Allegro ma non troppo | | • | Allegro con brio | | • | Andante con moto | | • | Allegro | | • | Allegro |
Disc 5
| • | Allegro ma non troppo, un poco maestoso | | • | Scherzo, molto vivace | | • | Adagio molto e cantabile | | • | Presto, recitativo: O Freunde, nicht diese Toene | | • | Allegro assai: Chorus |
Disc 6
| • | Allegro con brio | | • | Largo | | • | Rondo, allegro scherzando | | • | Allegro con brio | | • | Largo | | • | Rondo, allegro |
Disc 7
| • | Allegro con brio | | • | Adagio | | • | Rondo, molto allegro | | • | Allegro ma non troppo | | • | Larghetto | | • | Rondo, allegro |
Disc 8
| • | Allegro moderato | | • | Andante con moto | | • | Rondo, vivace | | • | Allegro | | • | Adagio un poco mosso | | • | Rondo, allegro |
Disc 9
| • | Allegro non troppo | | • | Larghetto | | • | Rondo |
Disc 10
| • | Allegro | | • | Largo | | • | Rondo alla Polacca | | • | Allegro moderato | | • | Larghetto | | • | Rondo, allegretto |
Disc 11
Disc 12
| • | Schlacht (Battle) | | • | Sieges-Symphonie (Symphony of Triumph) | | • | Allegro non piu molto | | • | Allegretto | | • | Adagio assai | | • | Scherzo, allegro | | • | Allegro |
Disc 13
| • | No. 1 in C major | | • | No. 2 in A major | | • | No. 3 in D major | | • | No. 4 in B flat major | | • | No. 5 in E flat major | | • | No. 6 in C major | | • | No. 7 in E flat major | | • | No. 8 in C major | | • | No. 9 in A major | | • | No. 10 in C major | | • | No. 11 in G major | | • | No. 12 in E flat major | | • | No. 1 in E flat major | | • | No. 2 in G major | | • | No. 3 in C major | | • | No. 4 in F major | | • | No. 5 in D major | | • | No. 6 in G major | | • | No. 1 Waltz in E flat major | | • | No. 2 Minuet in B flat major | | • | No. 3 Waltz in B flat major | | • | No. 4 Minuet in E flat major | | • | No. 5 Minuet in E flat major | | • | No. 6 Laendler in E flat major | | • | No. 7 Minuet in B flat major | | • | No. 8 Laendler in B flat major | | • | No. 9 Minuet in G major | | • | No. 10 Waltz in D major | | • | No. 11 Waltz in D major | | • | No. 1 in D major | | • | No. 2 in D major | | • | No. 3 in D major | | • | No. 4 in D minor | | • | No. 5 in D major | | • | No. 6 in D major | | • | No. 1 in C major | | • | No. 2 in A major | | • | No. 3 in F major | | • | No. 4 in B flat major | | • | No. 5 in E flat major | | • | No. 6 in G major | | • | No. 7 in C major | | • | No. 8 in A major | | • | No. 9 in F major | | • | No. 10 in D major | | • | No. 11 in G major | | • | No. 12 in C major |
Disc 14
| • | In D major | | • | In B flat major | | • | In G major | | • | In E flat major | | • | In C major | | • | In A major | | • | In D major | | • | In B flat major | | • | In G major | | • | In E flat major | | • | In C major | | • | In F major | | • | In C major | | • | In G major | | • | In E flat major | | • | In B flat major | | • | In D major | | • | In C major | | • | No. 1 | | • | No. 2 | | • | No. 3 | | • | No. 4 | | • | No. 5 | | • | No. 6 | | • | No. 1 | | • | No. 2 | | • | No. 3 | | • | No. 4 | | • | No. 5 | | • | No. 6 | | • | No. 7 | | • | In D major | | • | In B flat major | | • | In G major | | • | In D major | | • | In F major | | • | In B flat major | | • | In D major | | • | In G major | | • | In E flat major | | • | In C major | | • | In A major | | • | In D major |
Disc 15
| • | Allegro | | • | Andante | | • | Menuetto | | • | Finale, presto | | • | Adagio-allegro | | • | Adagio | | • | Menuetto, quasi allegretto | | • | Rondo, allegro | | • | No. 1 in C major. Allegro comodo | | • | No. 1 in C major. Larghetto sostenuto | | • | No. 1 in C major. Rondo, allegretto | | • | No. 2 in F major. Allegro affettuoso | | • | No. 2 in F major. Aria (larghetto) | | • | No. 2 in F major. Rondo, allegretto moderato | | • | No. 3 in B flat major. Allegro sostenuto | | • | No. 3 in B flat major. Aria con variazioni | | • | No. 3 in B flat major. Allegro assai |
Disc 16
| • | Allegro | | • | Adagio maestoso | | • | Minuetto | | • | Andante | | • | Poco adagio | | • | Poco sostenuto | | • | Allegro | | • | Adagio | | • | Minuetto | | • | Finale | | • | Theme | | • | Variation 1 | | • | Variation 2 | | • | Variation 3 | | • | Variation 4 & 5 | | • | Variation 6 | | • | Variation 7 | | • | Variation 8 | | • | Coda | | • | Allegro con brio | | • | Menuetto quasi allegretto |
Disc 17
| • | Entrata-allegro | | • | Tempo ordinario d'un Menuetto | | • | Molto allegro | | • | Andante con variazioni | | • | Allegro, scherzando e vivace | | • | Adagio | | • | Allegro vivace | | • | Scottish Air in G major | | • | Scottish Air in C minor | | • | Austrian Air in C major | | • | Scottish Air in E flat major | | • | Scottish Air in E flat major | | • | Scottish Air in D major | | • | Allegro con brio | | • | Minuetto quasi allegro | | • | Allegro | | • | Adagio | | • | Thema andante con variazioni |
Disc 18
| • | Tyrolian Air in E flat major | | • | Scottish Air in F major | | • | Russian Air in G major | | • | Scottish Air in F major | | • | Tyrolian Air in F major | | • | Scottish Air in E flat major | | • | Russian Air in A minor | | • | Scottish Air in D major | | • | Scottish Air in E flat major | | • | Scottish Air in G minor | | • | Allegro | | • | Andante | | • | Rondo, allegretto | | • | Allegro moderato | | • | Polonaise | | • | Largo | | • | Allegretto tema con variazione |
Disc 19
| • | Adagio-allegro con brio | | • | Adagio cantabile | | • | Tempo di minuetto | | • | Tema con variazioni: andante | | • | Scherzo, allegro molto e vivace | | • | Andante con moto alla marcia-presto | | • | Allegro con brio | | • | Adagio | | • | Rondo, allegro |
Disc 20
| • | Grave-allegro ma non troppo | | • | Andante cantabile | | • | Rondo, allegro ma non troppo | | • | Allegro con brio | | • | Adagio | | • | Allegretto, variations on "Pria ch'io l'impegno" | | • | Allegro moderato | | • | Poco adagio, quasi andante | | • | Rondo, allegro moderato |
Disc 21
| • | Adagio-allegro con brio | | • | Adagio cantabile | | • | Tempo di Minuetto | | • | Tema con variazioni, andante | | • | Scherzo, allegro molto e vivace | | • | Andante con moto alla marcia-presto |
Disc 22
| • | Entrata, allegro | | • | Tempo ordinario d'un Menuetto | | • | Allegro molto | | • | Andante con variazioni | | • | Allegro scherzando e vivace | | • | Adagio-allegro vivace disinvolto | | • | Andante | | • | Variazioni 1-6 |
Disc 23
| • | Allegro vivace | | • | Adagio con espressione | | • | Rondo, allegro | | • | Adagio assai-allegro con spirito | | • | Tema con variazioni | | • | Allegro moderato | | • | Andante con moto | | • | Rondo, allegro |
Disc 24
| • | Allegro | | • | Adagio cantabile | | • | Scherzo | | • | Finale, presto | | • | Adagio - allegro vivace | | • | Largo con espressione | | • | Scherzo, allegro | | • | Finale, presto |
Disc 25
| • | Allegro con brio | | • | Andante cantabile con variazioni | | • | Menuetto, quasi allegro | | • | Finale, prestissimo | | • | Allegro moderato | | • | Scherzo, allegro ma non troppo | | • | Rondo, allegretto |
Disc 26
| • | Allegro vivace e con brio | | • | Largo assai ed con espressione | | • | Presto | | • | Poco sostenuto - allegro ma non troppo | | • | Allegretto | | • | Allegretto ma non troppo | | • | Finale, allegro |
Disc 27
| • | Allegro moderato | | • | Allegretto | | • | Andante cantabile, ma pero con moto | | • | Finale, allegro |
Disc 28
| • | Adagio sostenuto - allegro | | • | Rondo, allegro vivace | | • | Adagio sostenuto ed espressivo | | • | Allegro molto piu tosto presto | | • | Rondo, allegro | | • | Allegro ma non tanto | | • | Scherzo, allegro molto | | • | Adagio cantabile - allegro vivace |
Disc 29
| • | Adagio - allegro vivace | | • | Adagio - tempo d'antante - allegro vivace | | • | Allegro con brio | | • | Adagio con molto sentimento d'affetto | | • | Allegro - allegro fugato | | • | Thema, allegretto | | • | Variation 1 | | • | Variation 2 | | • | Variation 3 | | • | Variation 4 | | • | Variation 5 | | • | Variation 6 | | • | Variation 7 | | • | Variation 8 | | • | Variation 9 | | • | Variation 10 | | • | Variation 11: adagio | | • | Variation 12: allegro | | • | Thema, allegretto | | • | Variation 1 | | • | Variation 2 | | • | Variation 3 | | • | Variation 4 | | • | Variation 5 | | • | Variation 6 | | • | Variation 7 | | • | Variation 8 | | • | Variation 9 | | • | Variation 10: adagio | | • | Variation 11: Poco adagio, quasi andante | | • | Variation 12: allegro | | • | Thema, andante | | • | Variation 1 | | • | Variation 2 | | • | Variation 3 | | • | Variation 4 | | • | Variation 5: si prenda il tempo un poco | | • | Variation 6: adagio | | • | Variation 7: Allegro ma non troppo |
Disc 30
| • | Allegro con brio | | • | Tema con variazioni (Andante con moto) | | • | Rondo, allegro | | • | Allegro vivace | | • | Andante piu tosto allegretto | | • | Allegretto piacevole | | • | Allegro con spirito | | • | Adagio con molt'espressione | | • | Rondo, allegro molto | | • | Presto | | • | Andante scherzoso, piu allegretto | | • | Allegro molto |
Disc 31
| • | Allegro | | • | Adagio molto espressivo | | • | Scherzo, allegro molto | | • | Rondo, allegretto ma non troppo | | • | Allegro | | • | Adagio | | • | Allegretto con variazioni | | • | Allegro con brio | | • | Adagio cantabile | | • | Scherzo, allegro | | • | Finale, allegro |
Disc 32
| • | Allegro assai | | • | Tempo di menuetto | | • | Allegro vivace | | • | Adagio sostenuto - presto | | • | Andante con variazioni | | • | Finale, presto | | • | Allegro moderato | | • | Adagio espressivo | | • | Scherzo, allegro | | • | Poco allegretto |
Disc 33
| • | Allegro con brio | | • | Andante | | • | Menuetto, allegro | | • | Adagio | | • | Menuetto, moderato | | • | Finale, allegro | | • | Marcia, allegro | | • | Adagio | | • | Menuetto, allegretto | | • | Adagio - scherzo, allegro | | • | Allegretto alla Polacca | | • | Andante quasi allegretto - variations 1-4 - allegro | | • | Marcia, allegro |
Disc 34
| • | Adagio - allegro con brio | | • | Adagio ma non tanto e cantabile | | • | Scherzo, allegro | | • | Presto | | • | Allegretto | | • | Andante quasi allegretto | | • | Menuetto, allegro | | • | Rondo, allegro | | • | Allegro con spirito | | • | Adagio con espressione | | • | Scherzo, allegro molto e vivace | | • | Finale, presto |
Disc 35
| • | Allegro con brio | | • | Adagio affettuoso ed appassionato | | • | Scherzo, allegro molto | | • | Allegro | | • | Allegro | | • | Adagio cantabile | | • | Scherzo, allegro | | • | Allegro molto quasi presto |
Disc 36
| • | Allegro | | • | Andante | | • | Allegro | | • | Presto | | • | Allegro ma non tanto | | • | Scherzo, andante scherzoso | | • | Menuetto, allegretto | | • | Allegro |
Disc 37
| • | Allegro | | • | Menuetto | | • | Andante cantabile | | • | Allegro | | • | Allegro con brio | | • | Adagio ma non troppo | | • | Scherzo, allegro | | • | La Malinconia, adagio-allegretto | | • | Allegro con brio | | • | Allegretto ma non troppo | | • | Allegro assai vivace ma serioso | | • | Larghetto espressivo-allegretto agitato |
Disc 38
| • | Allegro | | • | Allegretto vivace, sempre scherzando | | • | Adagio molto e mesto | | • | Theme russe, allegro | | • | Allegro | | • | Molto adagio | | • | Allegretto | | • | Finale, presto |
Disc 39
| • | Poco adagio-allegro | | • | Adagio ma non troppo | | • | Presto-piu presto quasi prestissimo | | • | Allegretto con variazioni | | • | Adagio ma non troppo e molto espressivo | | • | Allegro molto vivace | | • | Allegro moderato | | • | Andante ma non troppo e molto cantabile | | • | Presto | | • | Adagio quasi un poco andante | | • | Allegro |
Disc 40
| • | Maestoso-allegro | | • | Adagio, ma non troppo e molto cantabile | | • | Scherzando vivace | | • | Finale | | • | Allegretto | | • | Vivace | | • | Lento assai, cantate e tranquillo | | • | Der schwer gefasste Entschluss, grave-allegro |
Disc 41
| • | Assai sostenuto-allegro | | • | Allegro ma non tanto | | • | Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydschen Tonart | | • | Alla marcia, assai vivace | | • | Allegro appassionato | | • | Introduzione: andante con moto-allegro vivace | | • | Andante con moto quasi allegretto | | • | Menuetto, grazioso | | • | Allegro molto |
Disc 42
| • | Adagio ma non troppo-allegro | | • | Presto | | • | Andante con moto ma non troppo, poco scherzando | | • | Alla tedesca, allegro assai | | • | Cavatina, adagio molto espressivo | | • | Finale, allegro | | • | Overtura-meno mosso e moderato-allegro |
Disc 43
| • | Allegro moderato | | • | Adagio molto espressivo | | • | Scherzo, allegro | | • | Presto | | • | Allegro con brio | | • | Andante cantabile con variazioni | | • | Menuetto, quasi allegro | | • | Finale, prestissimo | | • | Allegro moderato | | • | Allegretto | | • | Allegro |
Disc 44
| • | Allegro con brio | | • | Andante | | • | Menuetto | | • | Finale, presto | | • | Movement 1 | | • | Minuetto | | • | Prelude for String Quintet, Hess 40 |
Disc 45
| • | Allegro | | • | Adagio | | • | Menuetto, allegretto | | • | Prestissimo |
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Album Description
From the people who brought you the Complete Works of Wolfgang Amadeus Mozart 250th Anniversary Edition and the Complete Works of J. S. Bach Edition now bring out the Complete Works of Ludwig van Beethoven. Brilliant classics has spared no expense to get the best possible performances of the music of Beethoven. The list of artists reads like a who's who of classical music. Kurt Masur, Gewandhaus Orchestra, Friedrich Gulda, Vienna Philharmonic, Henryk Szering, Royal Concertgebouw, Bernard Haitink, Stanislaw Skroaczewski, Minneapolis Orchestra, St. Louis Symphony Orchestra, David Zinman, Christoph von Dohnanyi, Theo Adam, Helen Donath, Herbert Blomstadt, Academy of St. Martin-in-the-Fields, Guarnari tring Quartet, Arthur Grimaux, Clara Haskil, Heinrich Schiff, Jean-Pierre Rampal, Zoltan Kocsis, Alfred Brendel, Pewter Schreier, London Symphony Orchestra, Sir Colin Davis and many more!
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| Customer Reviews:
 Todo Beethoven! September 16, 2008
Juan Bircann (Santiago, Republica Dominicana)
0 out of 3 found this review helpful
Compre este producto en noviembre 23 de 2007 y me deleite escuchando estos 84 CD's. La calidad de las grabaciones es muy buena. Como tarjeta de presentacion basta mencionar los nombres de Arthur Grumiaux y Kurt Masur.
Esta coleccion permite acceder a toda la obra de Beethoven y por un precio razonable.
Fantastic collection August 3, 2008
Donald Frisch (Las Vegas, NV USA)
1 out of 3 found this review helpful
This collection is as the name of the company says, "Brilliant". The recordings are flawless and classic. If you like classical music and enjoy even a few of Beethoven's pieces, this is a must-have purchase.
 Spend a few months reliving the career of Ludwig van Beethoven July 5, 2008
Michael Schell (www.schellsburg.com)
19 out of 19 found this review helpful
First off, you may be familiar with Brilliant's universally acclaimed Bach and Mozart Editions, which emphasize historically informed performances, often on period instruments, and consist mainly of recent recordings by obscure musicians (mostly based in the Netherlands), contracted directly by Brilliant Classics. The Beethoven Edition set is quite different. These are entirely "modern" performances on modern instruments using the standard playing techniques of the post-World War Two period. Most of these recordings were made in the 1950s through early 1990s for other CD labels, and were licensed by Brilliant for this set. There are only a handful of original recordings, and these mainly serve to fill in gaps in the lesser known parts of Beethoven's output, such as the string quintets and the Irish and Welch songs. As a result, there isn't the sort of coherent thematic approach to the Beethoven oeuvre that you get with the Bach and Mozart sets.
So how are the recordings? Well, the symphonies are represented by 1974 recordings by Masur and the Leipzig Gewandhaus Orchestra. I was skeptical about these going in, but was pleasantly surprised to hear that they hold up rather well. The Ninth is a perfectly acceptable "modern" rendition of this masterwork. You MUST go out and obtain one of the historically-informed sets by Gardiner or Norrington, since Beethoven's symphonies, like Mozart's, sound best when played on the instruments that Beethoven wrote for, using the ensemble sizes and playing techniques of his time. Among other things, doing this lets you here the symphonies at the tempos that Beethoven envisioned, something that's impractical to do on the modern instruments (that have more sound and sometimes a longer decay time) and modern playing technique (e.g., habitual vibrato in the string chorus) that evolved to meet the musical and acoustic needs of the late 19th and early 20th Centuries. Once you have that, it's fine to also listen to the Masur performances as credible examples of the modern approach to the Beethoven symphonies.
The Guarneri Quartet handles the string quartets, in recordings from the late 1970s/early 1980s. Since I don't think Beethoven requires seeping sentimentality, I personally dislike their old-fashioned, vibrato-laden, ahistorical playing style, preferring either a historically informed approach, or a more intellectual modern approach such as the Alban Berg Quartet's recordings. But others will enjoy these recordings, and they are technically solid. The violin/piano sonata recordings by Haskil and Grumiaux are artful and remarkably clear for their time, but the sound quality does betray their origins in the 1950s. The unjustly neglected Op. 9 string trios are represented well by the Zurich String Trio, and I enjoy the Borodin Trio and Schiff/Fellner performances of the piano trios and cello/piano sonatas respectively.
Gulda's piano sonatas from the 1960s are serviceable but not very exciting, given the range of quality interpretations available elsewhere, from the classical Brendel, through the cerebral Pollini to various period instrument practitioners. (As an aside, Beethoven piano sonatas are a case where the argument for historically informed performance is less of a slam dunk, since modern pianos are so technologically and acoustically superior to the immature instruments of Beethoven's day.) The Gulda recordings are certainly adequate for filling in gaps if you don't already have a complete set of the 32 "canonical" sonatas (there are three unnumbered sonatas that Beethoven wrote as a teenager). One might have less misgivings about Gulda's recordings of the piano concertos, included here. These seem to hold up better. Sorry, if you want someone like Glenn Gould you'll need to pay real money.
It's great having recordings of both the final version of Fidelio and the original version (when it was still named Leonore). In fact there's also a Fuertwangler historical recording of Fidelio that follows Mahler's practice of inserting the Leonore Overture No. 3 after Floristan's rescue in Act 2. The choral music, including both masses, is generally strong. Of course the vocal and other choral works are included as well as minor works such as dances, wind music, the mandolin/piano sonatas and so on. There are also 15 disks of "historical" performances, some of which are quite interesting, spanning from the 1920s through the 1950s. These duplicate works in the primary set of 85 disks, and there are various works by Bach and Schubert thrown in.
There are some flaws in the set. Several of the Alfred Brendel recordings from the 1960s (chiefly piano variations) are marred by wow or distortion. The soprano singing one of Beethoven's early coronation cantatas clearly can't handle the challenges of the part. Perhaps she shouldn't feel too bad -- these difficulties were sufficient to abort the work's premier. The 27th Piano Sonata (Op. 90 in E minor) is missing its last note.
As with most of the other large "complete" Editions from Brilliant, there are no printed inserts, but you do get a CD-ROM with the program notes. The supplied biography of Beethoven is a pretty serviceable one for its length (about 70 pages), and is worth printing out and reading. The program notes to the recorded works are more uneven. Brilliant Classics is not brilliant in the translation department, so many of the notes read awkwardly, and not every work is covered. There are no English translations to the texts of vocal works at all, though they're usually provided in the original language (German or Italian). Try "The Lied and Art Song Texts Page" for lieder lyrics and translations. For most works, instrumental or otherwise, you'll want to complement the supplied program notes with your own reading (maybe start with wikipedia.org or answers.com if you don't have a good book available about Beethoven's music).
Although most of the recordings in this set are not my favorites of the work in question, it was nevertheless an incredible experience to listen through this man's complete works, something that I chose to do in roughly the order of composition (which required a significant amount of research and planning, since the CDs are organized by ensemble). Although I've been listening to Beethoven music since I was 2 years old, and have studied it for many decades, there were still a few revelations:
1. The three piano quartets that Beethoven wrote when he was about 13. One of them consists of two movements: an allegro with a slow introduction, then a theme and variations, a form that prefigures his last piano sonata, written 37 years later. This Op. 111, in fact, was occasionally used as a two-movement model for other composers, including Prokofiev's Second Symphony and several late works by Webern. I suppose it's worth noting that you'll find antecedents in Mozart too, namely the K. 305 and K. 379 violin/piano sonatas
2. The piano variations in C minor. This composition wasn't given an opus number by Beethoven. Perhaps he himself was unsure whether it really worked. It's basically a chaconne over an eight-bar chord progression that bears an uncanny resemblance to the chord progression used in the last movement of Brahms' Fourth Symphony. The latter is supposed to have been modeled after Bach's Cantata No. 150, but the Beethoven C minor variations sound a lot closer, as their theme is eight bars long (the Bach is four bars), and Beethoven even uses the same chromatic inflection as Brahms in the fifth bar. I would love to know if Brahms was familiar with the C minor variations
3. Speaking of piano variations, did you know that Beethoven wrote variations on Rule, Britannia! and God Save the King/Queen? And have a drinking game, play Beethoven's Auld Lang Syne arrangement for three voices and piano trio, and ask your friends to name the arranger. You'll get few correct guesses, yet Beethoven published dozens of such arrangements during his relatively fallow years of 1812-8
4. For some reason the Opus 1 piano trios had passed me by all these years. The first two may or may not be vintage Beethoven, but No. 3, with its awesome final movement with the modern-sounding axial first theme based on a repeated minor third has become a favorite. Imagine at my age having a new Beethoven masterpiece revealed to me
So in conclusion, for me this set isn't quite the overwhelming artistic and economic success of Brilliant's Mozart, Bach (and even Chopin) complete sets, but for me it was still well worth what I paid to order this from Amazon's France site in September 2007, keeping in mind that as an American I didn't have to pay the sales tax that's factored into the listed price (though the international shipping made up for that). Your mileage may vary, but there's certainly good value here for the price, and I hope that like me you may discover some new music to fall in love with. Brilliant is to be congratulated for putting this music in the hands of those of us who can't spend hundreds to amass it.
Great value, Not to be missed June 18, 2008
Samuel Thornton (Dayton, OH, USA)
1 out of 2 found this review helpful
As in previous issues of Mozart and Bach, this one is a winner. A sampling of a number of different works (symphonies, string quartets, concedrtos, piano sonatas...)reveal first rate performances in all cases I have sampled. The recording is also great. So, really no downside to this set at the price offered.
I use this as an opportunity to listen to lesser known works, and to compare the great ones with other recordings I have. I suppose I should not be surprised to find that there are Beethoven works out there that I do not care for at all (Examples: Various folk and national songs). But the time honored great works are there as well as all the other.
A Beethoven lover should not miss this chance.
Great price for every note written by Beethoven April 28, 2008
Dean Book
3 out of 6 found this review helpful
I have the complete sets for Mozart and Bach too. Overall they pick pretty good versions of each piece, but at this price, you can use it as reference to fill out with specific artist, later. This is compact in packaging and a great gift for people in apartments or students who are learning about the essential classical music created in our world. They did a good job and you will benefit from having this collection.
This helped me get a complete understanding of all of Ludwig's work. Great place to start and listen over your lifetime. Enjoy.
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