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Glenn Gould: The Complete Original Jacket Collection - Amazon.com Exclusive | 
 enlarge | Artist: Glenn Gould
Label: SONY CLASSICS
Category: Music
List Price: $221.98
Buy New: $172.70
You Save: $49.28 (22%)
New (15) Used (7) from $170.00
Rating:  29 reviews
Sales Rank: 1289
Format: Box Set, Limited Edition
Media: Audio CD
Discs: 80
Shipping Weight (lbs): 6.6
Dimensions (in): 10.2 x 5.4 x 5.2
UPC: 886971309423
EAN: 0886971309423
ASIN: B000TJQ75E
Release Date: September 25, 2007
Availability: Usually ships in 1-2 business days
Condition: Brand new Item. CD, DVD, Book, VHS more than 400 000 titles to choose from. ALL days Low Price !
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| Tracks:
| • | Goldberg Variations, Bwv 988 | | • | Piano Sonata's No.30-32 | | • | Concerto No.1 In D Minor, Bwv 1052 | | • | Concerto No.2 In B Flat Major, Op.19 | | • | Sonata No.3 In E Flat Major | | • | Sonata No.10 In C Major, K.330 | | • | Fantasia And Fugue In C Major, K.394 | | • | Concerto No.1 In C Major For Piano & Orchestra, Op.15 | | • | Concerto No.5 In F Minor For Piano & Orchestra | | • | Sonata For Piano, Op.1 | | • | Three Piano Pieces, Op.11 | | • | Sonata No.3 For Piano, Op.92 No.4 | | • | Concerto No.4 In G Major For Piano & Orchestra Op.37 | | • | String Quartet No.1 | | • | Italian Concerto In F Major & Partita No.1 & 2 | | • | 10 Intermezzi Op.76, 116, 117, 119 | | • | Concerto No.4 In G Major For Piano & Orchestra, Op.58 | | • | The Art Of The Fugue, Bwv 1080 Vol. I Fugues I -Ix | | • | Concerto No.24 In C Minor For Piano & Orchestra K.491 | | • | Concerto For Piano & Orchestra, Op.42 | | • | Enoch Arden (Tennyson), Op.38 | | • | The Well Tempered Clavier, Book I, No.1-8 Bwv 846-853 | | • | Partita No.3 In A Minor, Bwv 827 & No.4 In D Major, Bwv 828 | | • | Toccata In E Minor, Bwv 914 | | • | The Well Tempered Clavier, Book I, No.9-16, Bwv 854-861 | | • | Two And Three Part Inventions & Sinfonias No.1-15 Bwv 772-801 | | • | Sonata No.5-7, Op.10/1-3 | | • | The Well Tempered Clavier, Book I, 17-24, Bwv 846-869 | | • | Songs For Voice And Piano Op.1, Op.2, Op.15 | | • | Solo Piano Works Op.11, 19, 23, 25, Op.33a & B | | • | Concerto No.5 In E Flat Major For Piano & Orchestra, Op.73 'Emperor' | | • | Fantasy For Violin & Piano Op.47 | | • | Ode To Napoleon Bonaparte Op.41 Et Al. | | • | Sonatas For Piano No.8-10, Op.13 'Pathetique', Op.14/1 & 2 | | • | Keyboard Concertos No.3, 5 &7, Bwv 1054, 1056 & 1058 | | • | Canadian Music In The Xxth Century | | • | Piano Sonata No.1-5, K.279-283 | | • | The Well Tempered Clavier, Book Ii, No.1-8 Bwv 870-877 | | • | Symphony No.5 In C Minor, Op.67 (Trans. For Piano By F. Liszt) | | • | Concert Drop-Out: Glenn Gould In Conversation With John Mclure | | • | Sonata No.3 In F Sharp Minor, Op.23 | | • | Sonata No.7 In B Flat Major, Op.83 | | • | Piano Sonata No.6, 7 & 9, K.284, 309, & 311 | | • | Keyboard Concerto No.2 & 4, Bwv 1053 & 1055 | | • | Piano Sonatas No.8, 14 & 23, Op.13, 27/2 & 57 | | • | The Well Tempered Clavier, Book Ii, No.9-16 Bwv 878-885 | | • | Variations For Piano, Woo.80, Op.34 & 35 | | • | The Well Tempered Clavier, Book Ii, No. 17-24 Bwv 886-893 | | • | A Consort Of Musicke Bye William Byrd & Orlando Gibbons | | • | Piano Sonatas No.8, 10, 12 & 13, K. 310, K.330, K.332, K.333 | | • | Music From Kurt Vonnegut's Slaughterhouse Five | | • | Piano Concertos No.3 & 5 Bwv 1054 & 1056 | | • | Songs For Voice And Piano, Op.3, 6, 12, 14, 48, 2 Lieder Op.Post | | • | Suites For Harpsichord No.1-4, Hwv 426-429 | | • | Sonata In E Minor For Piano, Op.7 | | • | Premier Nocturne In F Major, Variations Chromatiques | | • | French Suites No.1-4, Bwv 812-815 | | • | Piano Sonatas No.11, 15 & 16, K.331, K.533/K.494 & K.545 | | • | Fantasia In D Minor, K.397 | | • | Piano Sonata No.1-3 | | • | Die Meistersinger, Gotterdammerung, Siegfried-Idyll (Piano Trans. By G. Gould) | | • | Piano Sonatas No.16-18, Op.31/3 | | • | French Suites, No.5 & 6, Bwv 816 & 817 | | • | Overture In The French Style, Bwv 831 | | • | Sonatas For Viola Da Gamba & Harpsichord No.1-3 Bwv 1027-1029 | | • | Bagatelles, Op.33 And Op.126 | | • | Piano Sonatas No.14, 17 & 18, K.457, K.570 &K. 576 | | • | Fantasia In C Minor, K.475 | | • | The Complete Sonatas For Brass And Piano | | • | Sonatas For Violin And Harpsichord No.1-6 Bwv 1014-1019 | | • | English Suites No.1-6, Bwv 806-811 | | • | Sonatinas For Piano, Op.67/1-3; 'Kyllikki' 3 Lyric Pieces For Piano, Op.41 | | • | Das Marienleben For Soprano And Piano | | • | Toccatas, Bwv 910, 912 & 913 | | • | Toccatas Bwv 911 & 914-916 | | • | Preludes, Fugues And Fughettas Bwv 895, 899, 900, 902, 924-938, 952, 953, 961 | | • | Piano Sonata No.1-3, Op.2/1-3 & No.15 Op.28 'Pastoral' | | • | Works By Scarlatti, C.P.E. Bach, Gould, Scriabin, Strauss & Beethoven | | • | Six Late Piano Sonatas, Hob.Xvi/42, 48-52 | | • | Goldberg Variations | | • | 4 Ballades, Op.10; 2 Rhapsodies Op.79 | | • | Sonatas No.12 Op.26 & No.13 Op.27/1 | | • | Sonata Op.5, 5 Piano Pieces, Op.3 | | • | Piano Quintet, Op.44 & Piano Quartet, Op.47 | | • | Glenn Gould Discusses His Performances Of The 'Goldberg Variations' W/ Tim Page | | • | Fragments Of Bach's 'Italian Album' & Wagner 'Siegfried Idyll' |
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| Editorial Reviews:
Album Description
The Glenn Gould Complete Jacket Collection" is presented to mark the brilliant pianist's 75th birthday and the 25th anniversary of his death. It is a fascinating, limited edition: all the artist's LP recordings in the "look and feel" of the original vinyl discs on 80 CDs. The Canadian Glenn Gould (born in Toronto 25 September 1932 - died there 4 October 1982) was without doubt one of the most important pianists of all time. Even today, the idiosyncratic interpretations and the eccentric personality of the "James Dean of the piano" exert a continuing fascination. In good time to commemorate the artist's birth 75 years ago on 25 September and his death 25 years ago on 4 October 2007, the Sony Classical label is launching a special project in honour of the double anniversary: "The Glenn Gould Complete Jacket Collection" transfers all the artist's recordings for LP on to 78 CDs, from Glenn Gould's legendary 1955 recording of the Goldberg Variations to piano works by Richard Strauss released posthumously on 4 April 1984, and of course, not one of the brilliant artist's legendary Bach recordings is missed out. Each of the 60 single and 9 double CDs consists of the exact recordings as first issued on vinyl and looks like a miniaturised form of the original disc: the CDs are in cardboard slipcases in the original design, and the CD itself is designed to look like a LP. Supplemented by two bonus CDs, the limited "Glenn Gould Complete Jacket Collection" comprises 80 CDs mounted in a high-quality display case with a booklet of more than 240 pages. This booklet contains a new, detailed essay by the German Gould specialist Michael Stegemann on Glenn Gould and the LP recording era along with texts and repertoire details to all recordings in the edition, plus a listing and depiction of the records with reissue dates for repertoire that has appeared before. The bonus CDs include the last great interview that Glenn Gould gave the American journalist Tim Page in 1981 and an essay on Johann Sebastian Bach and the fugue that Gould recorded in 1972 for a bonus LP. They also feature a number of late recordings that never appeared on vinyl: fragments of the "Italian Album" and Wagner's Siegfried Idyll in its orchestral version -- Gould's recording debut as conductor and his last recording of all, made on 8 September 1982 with members of the Toronto Symphony Orchestra. Another rarity is Gould's own film music to George Roy Hill's Slaughterhouse Five from 1972.
Album Details
2007 Issue of the Ultimate Box Set for Fans of the Late Keyboardist! the Set Includes Every Recording He Ever Made Presented on 80 CD'S! the Surface of Each Disc Has Been Manufactured to Resemble the Face of a Vinyl LP. The Box also Includes a 250 Page Book with an Essay by German Glenn Gould Expert Michael Stegemann as Well as Detailed, Extensive Liner Notes on Every Track. Needless, this is a Very Limited Edition Box.
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| Customer Reviews:
Beautiful box. September 1, 2008
Tea Eat (just ole Germany)
If you don't have any CDs with classical music yet, but would really have some, then this box is really a wonderful way to start with. Glenn Gould was a genius in his own way with a vanguard attitude to the interpretation of the "holy" works. If you know the pieces well, but never heard the Gould's versions, may be it's time to breathe in some fresh fragrance from the known source.
Pro: you have the complete studio recordings of Glenn Gould with original LP packaging artwork.
Contra: the CDs are packaged direct into carton without any inlays neither of soft paper nor of plastic. And it's a pity, because if you're going to listen to them often, then you can scratch the CDs. And if you're a CD/record collector then you don't have lots of spare place, that's why you won't take 70 empty CD-boxes in order to handle them properly...
Nevertheless, you will have much joy with it!
Gould's wonderful legacy August 11, 2008
Rafael Eduardo Gomez Romero (La Eliana, Valencia, Spain)
The box, the booklet and everything related to the presentation of this collection is fine. The recordings are complete, with good information provided. The CD sleeves copy those from the original LP recordings. Sadly, as they are much smaller, you can hardly read the back cover original comments. But this is only a minor point. Definitely, this is a must for any piano aficionados.
An Amazing Journey August 4, 2008
Daniel Suzuki (Toronto, Ontario, Canada)
1 out of 1 found this review helpful
Having grown up and studied music for a while in Toronto, one can get overwhelmed with people who claim to have known Gould's mother, father, piano technician, teacher or the man himself. Even more than a quarter of a century after his death, people still try to humanize Gould by finding professionals who feel that they are qualified to give him clinical diagnoses. Though it is understandable that one may feel the necessity to link themselves with this Titan, it becomes evident that no one could have known or understood the mind of Gould.
This survey of Gould's recordings is one of the greatest musical journeys that is out there today. Though he was renowned for his interpretations of J.S. Bach and Schoenberg, it becomes evident that he had a vast, vast repertoire that spanned from the early music of Gibbons to his contemporaries. He also discovered and took interest in music that is rarely heard. Gould's Stauss disc and his recordings Grieg and Bizet are also of interest. In this journey, I was amazed at his Beethoven interpretations. I have never heard such humour in his music. His Bach remains unchallenged to this day. There simply isn't a bolder recording of the Toccata in c minor and the "a minor Fugue," from the first book of the Well-Tempered Clavier.
The discs where he discusses his insights on various matters relating to music (pianos, touring, and critics) gives us another fascinating glimpse of this artist.
This box set is definitely one of those things I would take to a desert island.
Get it while you can June 29, 2008
Marmez1@aol.com (Los Angeles, CA USA)
2 out of 2 found this review helpful
Glenn Gould lives up to the sound bite given by George Szell -- "That nut is a genius."
Gould's interpretations are controversial. Some detest his singing along with his playing. Others think he is too mannered, too idiosyncratic in his interpretations, still others regard him as too romantic, especially in his Bach.
However, more than anyone except perhaps Wanda Landowska, he is responsible for the revival of interest in the keyboard music of Bach. Yes, there are other superb interpreters of Bach, among which I particularly like Rosilyn Tureck. But if fascinating insights are your cup of tea, you must own and listen to Gould's Bach.
I also find his Beethoven, especially the late sonatas, to be insightful and revelatory.
This collection provides the entire discography of Gould's Columbia/CBS/Sony studio performances. Yes, I already own many of these performances grouped differently in various iterations and rereleases. Yes, it is sometimes easier to listen to other pressings that combine the works of the same composer into a multi-disc set.
But for those of us who grew up in the LP vinyl era, seeing the original covers replicated and having a chance to reread original album notes is a pleasure not to be passed up.
Amazon has made this set available at an extremely attractive price and in a very well done package. I congratulate them and thank them.
I strongly recommend lovers of the art of keyboard, and especially those like myself who appreciate the insights of Glenn Gould, to buy this set.
an astounding collection June 24, 2008
Etha Williams (Chicago, IL)
4 out of 4 found this review helpful
In recording technology, Glenn Gould saw a new future for music -- a future not of the public concert, or even of the "embalmed concert moment" (as he referred to un-edited "live" recordings), but one in which the artist was able to splice and edit until he reached a recording as close to his ideal as possible. He also believed that, listening to these recordings at home, free from the social trappings and musical limitations of the concert hall, we would be able to come to a much deeper understanding of the music. With this philosophy in mind, Gould produced in incredible wealth of recorded material that survives and speaks to us even 25 years after his death.
Gould did not live to see the advent of the CD, nor of earbuds and portable music players, but when I listen to this remarkable collection on my iPod, I think that Gould would have liked this part of the future (though perhaps not other aspects of our modern zeitgeist) very much.
As for the collection itself -- it's very well compiled, and I had none of the problems with CD37 that others have mentioned, so I think perhaps sony/amazon have resolved that. I am particularly pleased with the preservation of the original jacket, complete with liner notes. Often written by Gould himself, these liner notes are by turns insightful, hilarious, and outrageous, and always a pleasure to read. (The imaginary reviews of his recording of Liszt's transcription of Beethoven's fifth are particularly amusing.) The fact that, by necessity of CD:LP size ratios, the liner notes are very small and sometimes require a magnifying glass is a minor annoyance, and it would be a dream come true if, as another reviewer suggests, Sony released these notes full-size on CD-ROM. A similar project that I would whole-heartedly (and whole-walletedly) support would be a glossy coffee table book of Gould's album jackets and liner notes.
All-in-all, this is a wonderful collection worthy of Gould's legacy.
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