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Death Proof | 
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| Artist: Original Soundtrack
Label: Maverick
Category: Music
List Price: $18.98
Buy New: $7.54
You Save: $11.44 (60%)
New (43) Used (16) from $7.54
Rating:  37 reviews
Sales Rank: 845
Format: Explicit Lyrics, Soundtrack
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.5 x 4.7 x 0.4
MPN: 106172
UPC: 093624998860
EAN: 0093624998860
ASIN: B000N3ST7K
Release Date: April 3, 2007
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand new - Factory sealed - Import edition We ship via first class mail from Florida
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| Tracks:
| • | The Last Race - Jack Nitzsche | | • | Baby, It's You - Smith | | • | Paranoia Prima - Ennio Morricone | | • | Planning & Scheming - Eli Roth | | • | Jeepster - T Rex | | • | Stuntman Mike - Kurt Russell | | • | Staggolee - Pacific Gas & Electric | | • | The Love You Save (May Be Your Own) - Joe Tex | | • | Good Love, Bad Love - Eddie Floyd | | • | Down In Mexico - The Coasters | | • | Hold Tight - Dave Dee | | • | Sally And Jack - Pino Donaggio | | • | It's So Easy - Willy DeVille | | • | Whatever-However - Tracie Thoms | | • | Riot In Thunder Alley - Eddie Beram | | • | Chick Habit - April March |
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| Editorial Reviews:
Amazon.com
Directors Quentin Tarantino and Robert Rodriguez spent $53 million to pay loving tribute to the vintage hundred-thousand-dollar exploitation fare that inspired Grindhouse's two-movies-for-the-price-of-one thrill ride. Tarantino's half of the exercise (which also includes Robert Rodriguez's self-scored Planet Terror) features another effusive slice of the director's eclectic musical sensibility to underscore its manic tale of stuntman/psycho-killer Kurt Russell and his muscle-car-fueled exploits. Tarantino works from a familiar formula that variously mixes evocative, semi-obscure Italian film cues from Morricone and Dinaggio, contrasting slices of '60s catalog from the great Jack Nitzsche and Brit Invasion also-rans DDDBM&T and some '70s fodder from both ends of the Top 40 via Smith and T. Rex, also stirring in a savory mid-disc run of R&B that stretches from PG&E's upbeat read of "Stagger Lee" through more familiar fare from Joe Tex, Eddie Floyd, and the Coasters. The director also serves up a couple of those deliciously off-kilter obscurities that have come to be his musical trademark as a coda: Eddie Beram's thumping "Riot in Thunder Alley" and April March's infectious ditz-pop take on Serge Gainsbourg's loopy "Chick Habit." --Jerry McCulley
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| Customer Reviews:
 The soundtrack takes you back... August 20, 2008
Drs M. L. Hagen (Netherlands)
A magnificent movie leads in this case also to a magnificent album. I do like the mix with audioshots from the film.
Awesome May 9, 2008
Miss Kitty
I think it goes without saying that Quentin Tarantino puts together the best soundtracks for his movies. This one is no exception. A collection of great songs that bring you right back into the movie with a sprinkling of great dialogue. Perfect.
Great music from a great flick May 5, 2008
Elizabeth Shattler (Salt Lake City, UT)
This soundtrack is great. The songs were perfect in the film and it's like watching it when listening. I have both the cd and vinyl of this soundtrack and love them both (though I love the vinyl a little bit more). The vinyl has a great sound and has red "splatter" vinyl mixed with the black making me want to display it rather than listen to it. Hearing those songs on vinyl is far better than on cd, so if you've got something to play it on, I highly recommend getting the album. If you don't, get the cd. You won't regret it!
 Typical February 14, 2008
Louis E. Negrette
This pretty much what one expects from Quinten Tarintino sound track. Good song that never get played on the radio because they don't fit some format. Lots of cool gems and great dialog too.
 Living Proof January 19, 2008
JP's Picks (Boise, ID)
11 out of 14 found this review helpful
I must admit before purchasing the soundtrack, I tried to hunt down a way to download two or three songs from the C.D., but true to Quentin Tarrantino, you have to take the whole package. (Even though his tenacity hasn't prevented 'Kill Bill' from being divided into two volumes, and the double feature 'Grindhouse' project has been split in two with 'Death Proof' and 'Planet Terror' respectively. For me it's a good thing for the latter development that I didn't have to buy the score of 'Planet Terror,' too.)
Anyway, I digress. We're here to share the merits of the soundtrack, so lets get back on track and not dilly-dally around like in the movie! The two most coveted tracks cover the movie's two climaxes. So top honors go to the big and bouncy "Hold Tight," with its especially dizzying crescendo. (Can't you still picture those pretty girls smiling and nodding their heads to the music in my favorite scene before it all turned ugly?) Then, there's the infectious and delightfully irritating "Chick Habit" by April March. (Now who was the agent who thought of that name?)
Don't expect the rest of the C.D. to be as exhiliarating. Yet, T. Rex's "Jeepster" and Willie DeVille's rollickin' roadhouse blues number "It's So Easy" come remarkably close.
Most of the rest consists of good, slow, and obscure blues (including "Stagolee," The Coasters' "Down in Mexico," and Eddie Floyd's "Good Love, Bad Love") It's also nice to have a late sixties version of Burt Bacharach's "Baby It's You". As far as instrumentals go, "Riot in Thunder Alley" is decent, as is the opener "The Last Race," which adds tension to the proceedings. To add some variety, the ride slows down for a while on the truly beautiful piano instrumental "Sally and Jack". While not a personal favorite, many understandably revere Joe Tex's "The Love You Save (May Be Your Own)".
There's a little filler in between, and not all of it mixes well sequentially, but there's some essential stuff here, folks. As with many soundtracks, some tidbits of conversation are thrown in. This is meant to elicit fond memories of the movie. While I'm not as sentimental about the film as most people, the selection "Whatever-However" does demonstrate the most memorable dialogue for me. (Oddly, these are the only places that merit the "Parental Advisory" label.)
Pulling out rarities, Quentin Tarrantino has provided some living proof by resurrecting some fine music for a solid soundtrack.
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