Debut | 
 enlarge | Artist: Bjoerk
Label: Elektra / Wea
Category: Music
List Price: $18.98
Buy Used: $1.95
You Save: $17.03 (90%)
New (34) Used (69) from $1.95
Rating:  153 reviews
Sales Rank: 6072
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 61468
UPC: 075596146821
EAN: 0075596146821
ASIN: B000002HCO
Release Date: July 13, 1993
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Has some scratches/scuffs. Domestic orders ship First Class with tracking information. All international orders ship Airmail.
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| Tracks:
| • | Human Behaviour | | • | Crying - Bjoerk, Hooper, Nellee | | • | Venus as a Boy | | • | There's More to Life Than This | | • | Like Someone in Love - Bjoerk, Burke, Johnny | | • | Big Time Sensuality | | • | One Day | | • | Aeroplane | | • | Come to Me | | • | Violently Happy | | • | The Anchor Song |
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| Editorial Reviews:
Amazon.com essential recording
Her first album following the breakup of the Sugarcubes, Debut is Icelandic trickster Bjoerk's statement of purpose: bringing curious experimentalism to the dance floor and putting her startling, expressive voice front and center. Her perspective is a little alien--it's no accident that the first song talks about "getting close to a human"--but her leveling of genre distinctions has some wonderful results, especially the eroticized easy-listening reggae sway of "Venus As a Boy." Paired with producer Nellee Hooper (of Soul II Soul), she comes up with a series of invitingly artificial settings for her pipes, built from late-night beats and peculiar timbres, and sings like she's overwhelmed with joy from all her senses. --Douglas Wolk
Album Description
Japanese pressing of her debut album includes the UK bonus track, 'Play Dead' along with the Japanese only bonus track, 'Atlantic'. 13 tracks in all, including lyrics to all tracks . 1994 release.
Album Details
Bjork's Breakaway (From the Sugarcubes) Debut Album Includes Bonus Track 'play Dead'.
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| Customer Reviews:
 Necessary listening. May 20, 2008
Stefan Hayes
"Human Behaviour" was the first time I'd ever heard this woman's voice. Thank God for that happenstance. This LP folds you within it and you become one with the fibers contained.
She's unusual, but she's true to herself and that counts for quite a bit... January 15, 2008
Andrew Ellington (Mulholland Drive)
0 out of 1 found this review helpful
I think anyone would have to at least admit that Bjork is probably the most unique musical artist out there today. They needn't admit anything more. She doesn't have to be their style, she doesn't have to be someone they long to listen to at any interval but they can't help but respect and admire what she brings to the table. Bjork is above all else Bjork, as in she will always be herself even if that means putting out music that no one but her will ever understand. I have been a fan of Bjork since I watched her caress the screen in von Trier's masterpiece `Dancer in the Dark' and have since attained all of her albums, all of her singles, all of her LP's, EP's and the like and have grown to embrace her musical passion even more.
With her debut album `Debut' Bjork came onto the scene strong with an album that establishes her as voice of a generation; a voice demanding to be heard.
I, for one, want to listen.
`Debut' is not as dark or as deep as some of Bjork's later efforts. It has more of a pop vibe to it with club worthy beats lacing each track. It's similar to her most recent work `Volta'. This isn't a bad thing, but I tend to prefer her darker work.
Bjork delivers magnificently on tracks like the opening `Human Behavior', a song that instantly burrows itself inside your eardrums with infectious drum beats and Bjork's signature vocals. Now I'll never be caught saying that Bjork has a masterful voice because she doesn't. She has a very immature and girlish voice, but it's within these flaws and vocal hiccups that add layers to the overall effect Bjork has on the listener. With each high pitched choke, rasp and vocal crack we get a real feel on who this singer really is, inside and out. She's just a girl with a point of view and the drive to get it out there.
Songs like `Venus As a Boy', `Violently Happy' and `Big Time Sensuality' are tracks most fans of hers, and even some who are not, are privy to. These tracks were the tracks that made her famous. There are gems though to be found underneath the more popular songs on the album. The soft spoken `Like Someone In Love' sounds very much like it belongs in a musical. The piano is a beautiful complement to Bjork's earnest delivery. `Come to Me' has a style reminiscent of Bjork's later material, dark and ominous and silky smooth. It has a low-key techno vibe to it.
Tracks like `There's More to Life Than This' and `Crying' belong in the club with up tempo beats that would devour a dance floor. They somewhat remind me of Garbage tracks, somewhat. `One Day' is not as up-tempo but its close enough; very club friendly.
There are some tracks that don't work so well though. Tracks like `Aeroplane' fail to impress me. Another track that fails in this regard is `The Anchor Song', a track that is maybe to `original' for its own good.
In the end `Debut' is a mighty fine debut album from Bjork and wets the appetite for future releases. I for one adore her for her vision, her drive and her talent. I know that she is not for everyone, but for those of us who have come to admire and respect her we realize that there is no one quite like Bjork, and that alone is enough to keep us coming back for more.
 The Most Unusually Brilliant Artist You'll Ever Hear December 27, 2007
Jill Dunsmore
Bjork's appropiately titled album "Debut" is one of the best albums you will ever hear in your life. Each of Bjork's songs are brilliantly beautiful, but unusual (the good way) at the same time. "Debut" is one of the best albums you'll have in your collection. Bjork is a wonderful artist, who, in my opinion, is one of the best artists ever. It's a must have if you want something different.
Sylphic, strange, and wonderful November 7, 2007
Jason Fisher (Dallas, TX USA)
Bjoerk's aptly titled debut solo album was a long-time favorite of mine. I recently got all of her records out again for a progressive chronological refresher course in all things Bjoerk, and I found that Debut stands up very well to the passing years. It remains Bjoerk's most accessible album, as her subsequent records became more experimental, strident, and downright odd with each new release. But cuts like "Human Behavior", while remaining commercially viable for radio play, hint at Bjoerk's underlying strangeness. She seems not quite of this world, a perfect observer of "human behavior", as if she weren't quite human herself. Rather, she strikes me as a kind of sylphic fairy, woken up out from the deep mythological roots of her Icelandic home.
Other tracks, like the exuberant "Big Time Sensuality", the lovely "Venus as a Boy", and the brooding "One Day" keep this record fresh, even today. A terrific album, well worth picking up if you don't have it.
He believes in Beauty August 15, 2007
S. K. Harrell (NC)
Every song on this CD is win. Bjork has such an amazingly distinct yet quirky sound, and it all blends so well. I do think this CD shows her amazing artistry as a musician, but it also shows her power in collecting people around her to produce such a strong sound.
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