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Ultra-Lounge, Vol. 5: Wild Cool & Swingin | 
enlarge | Artist: Various Artists Label: Capitol Category: Music
List Price: $11.98 Buy Used: $3.50 You Save: $8.48 (71%)
New (28) Used (26) from $3.50
Rating: 42 reviews Sales Rank: 17221
Media: Audio CD Discs: 1 Shipping Weight (lbs): 0.2 Dimensions (in): 5.6 x 5 x 0.5
MPN: 35972 UPC: 724383597222 EAN: 0724383597222 ASIN: B000002U1T
Release Date: February 20, 1996 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Shipping: International shipping available Condition: Order with confidence - Every single package is shipped with insurance, and domestic packages have Delivery Confirmation. We will email you a confirmation with tracking information before we ship. Many individual CD's and DVD's get upgraded to first class mail to get to you quickly.
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| Tracks:
| • | Ain't That A Kick In The Head - Dean Martin | | • | Dig That Crazy Chick - Sam Butera & The Witnesses | | • | More - Bobby Darin | | • | Fever - Peggy Lee | | • | Jump, Jive, An' Wail - Louis Prima | | • | Please Don't Talk About Me When l'm Gone - Sammy Davis, Jr. | | • | Danke Schoen - Wayne Newton | | • | French Poodle - Sam Butera & The Witnesses | | • | What Is This Thing Called Love? - Keely Smith | | • | Sunday In New York - Bobby Darin | | • | Closer To The Bone - Louis Prima | | • | Nobody But Me - Lou Rawls | | • | Little Girl - Vic Damone | | • | L.O.V.E. - Nat King Cole | | • | Volare (Nel Blu Di Pinto Di Blu) - Dean Martin | | • | That Old Black Magic - Louis Prima & Keely Smith | | • | You'd Be So Nice To Come Home To - Julie London | | • | Hello, Dolly! - Bobby Darin |
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| Customer Reviews:
Awesome Music!! November 27, 2007 Al Galan (San Jose, CA) There are so many great songs on here. I was introduced to two great Sam Butera songs, enjoyed more of Lou Rawls silky smooth voice, and gained more appreciation for Dean Martin and Bobby Darin's great voices. Great CD - all the songs are great!
SPY PARTY BACKGROUND MUSIC October 26, 2007 THE SILENCER (SNOHOMISH WA) what's better than Dean Martin, "ain't that a kick in the head"....lots of great theme music, good spy party music.
The club is cookin'; the band is hot and you just walked in--CRAZY !!! July 12, 2007 Matthew G. Sherwin 12 out of 13 found this review helpful
Ultra Lounge, Volume 5: Wild Cool & Swingin gives us eighteen swinging tracks to delight your ears and make you dance all through the night! The collection of hits doesn't have a dud in the set; and the diversity of the artists couldn't be broader. The CD track set begins with Dean Martin's classic interpretation of "Ain't That A Kick In The Head." The Nelson Riddle arrangement relies on the horns and the piano is awesome! Dean's voice is in perfect form--energetic and full of masculine warmth as he sings of his new love. A previously unreleased track of "Dig That Crazy Chick" by Sam Butera & The Witnesses follows; Sam & The Witnesses swing hard. Sam's voice is clear and full of excitement as he describes his new girlfriend. The musicians never miss a beat, either! Bobby Darin performs "More" with sensitivity and panache; I love that piano arrangement by Richard Wess! Peggy Lee's classic rendition of "Fever" absolutely oozes the feminine desire for a man; the people snapping their fingers along with the beat really add to the number! Peggy's voice is rich and vibrant for "Fever." Excellent! "Danke Schoeen" by Wayne Newton will surpass your expectations if you've never heard this ballad before; Wayne sings this with all his heart. Wayne's interpretation of "Danke Schoen" makes his rendition THE definitive interpretation of "Danke Schoeen." Jimmie Haskell's orchestra performs beautifully with a firm emphasis on the horns, percussion and strings. If you want a more playful number, however, check out "French Poodle" by Sam Butera & The Witnesses. Sam sings this to perfection and the horns sound great on "French Poodle!" "Closer To The Bone" by Louis Prima continues in this vein; I believe that you will enjoy "Closer To The Bone" by Louis Prima. The CD provides us with still more traditional love ballads. Nat King Cole performs "L-O-V-E" without a superfluous note; love that horn solo in the middle of this number! Moreover, Dean Martin croons "Volare (Nel Blu Di Pinto Di Blu)" with a great musical arrangement; I really like how Dean Martin sings this number in both English and Italian. Great effect! Julie London delivers "You'd Be So Nice To Come Home To" with all the style of a consummate performer; and the CD track set ends well with Bobby Darin crooning a great "Hello, Dolly!" Darin sings "Hello, Dolly!" with great care and sensitivity. "Hello, Dolly" provides a strong ending to the CD track set. The liner notes include great artwork; and R. J. Smith contributes an essay about lounge singers and the nightlife of the late 1950s and early 1960s especially on the Vegas strip. The song credits and recording dates are there for you; and there are even two drink recipes! Bob Norberg at Capitol Recording Studios did a great job of remastering these tunes. The very special, golden age of The Vegas Strip with its superstars of the 1950s and 1960s may be behind us but this album does a great job of recreating those special times. I highly recommend this CD for fans of lounge music; and people who enjoy classic pop vocals will cherish this CD for years to come. Enjoy!
LOVE IT! May 13, 2007 Stephen B. Lambeth (Jersey) Love this kind of music - can't get enough - have most all of the CDs. Excellent New Jersey-based company with excellent foresight and retro-understanding for the best party and jazz combos. Excellent choice for any kind of day or evening, party or relaxation time.
I love the Ultra-Lounge series. December 10, 2006 James Balentine 1 out of 1 found this review helpful
The sound quality of the Ultra-Lounge series is excellent, even though the songs were recorded mostly in the 50's and 60's. Capitol Records packs each CD with carefully chosen tracks consistent with the theme of the particular volume in the series. Many of the selections that appear here aren't available elsewhere, either because the original album on which the song appeared is out of print, or because the song was issued as a single and never collected in an album. A few 'previously unreleased' tracks also appear here. This series is a wonderful introduction to the music of a by-gone era, and each album includes detailed notes on each track (artist, writers, date recorded, how released, etc.). I heartily recommend it to anyone who has an interest in this type of music.
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