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50TH Anniversary Harmonia Mundi | 
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| Creator: Harmonia Mundi Various Artists
Label: Harmonia Mundi Fr.
Category: Music
Buy New: $99.98
Rating:  6 reviews
Sales Rank: 32599
Format: Box Set, Enhanced, Import
Media: Audio CD
Discs: 30
Shipping Weight (lbs): 2.3
Dimensions (in): 5.3 x 5.3 x 5.2
UPC: 794881851225
EAN: 0794881851225
ASIN: B000VIFM1S
Release Date: October 9, 2007
Shipping: Eligible for Super Saver Shipping
Availability: Usually ships in 11 to 14 days
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| Tracks:
Disc 1
| • | Kyrie | | • | Gloria | | • | Offertoire | | • | Sanctus | | • | Benedictus | | • | Agnus Dei | | • | Deo gratias |
Disc 2
| • | Overture...Air...Overture | | • | Act 1. Scene 2. Woden first to thee...Brave Souls...I call ye all | | • | Act 1. Scene 2. Come if you dare | | • | Act 2. Hither this way bend...Let not a Moon-born Elf...Hither this way...Come follow me | | • | Act 2. How blest are Shepherds...Shepherd, leave Decoying...Hornpipe | | • | Act 3. Scene 2. Prelude...What ho | | • | Act 3. Scene 2. What Power art thou...Thou Doting Fool forbear...Prelude...See, see | | • | Act 3. Scene 2. Tis I, that have warm'd ye...Sound a Parley...Air |
Disc 3
| • | Act 4. Scene 2. Two Daughters | | • | Act 4. Scene 2. How happy the Lover-Fourth Act Tune | | • | Act 5. Scene 2. Trumpet Tune: Ye Blust'ring Brethren | | • | Act 5. Scene 2. Symphony...Song Tune: Round thy Coasts...For Folded Flocks | | • | Act 5. Scene 2. Song Tune: Your Hay | | • | Act 5. Scene 2. Fairest Isle | | • | Act 5. Scene 2. You say...This is not my passion...But one soft Moment | | • | Act 5. Scene 2. Trumpet Tune: St. George | | • | Act 5. Scene 2. Chaconne |
Disc 4
| • | Introitus: Statuit ei Dominus | | • | Graduale: Inveni David servum meum; Verset: Nichil proficiet | | • | Alleluia - Versets: Disposui Testamentum. Inveni David | | • | Offertorium: Veritas mea; Versets: Posui adiutorium - Misericordia mea | | • | Communio: Domine quinque talenta tradidisti michi | | • | Vida | | • | A Chantar |
Disc 5
| • | Part 1. No. 8. Blute nur, du liebes Herz | | • | Part 1. No. 9. Aber am ersten Tage der suessen Brot / Wo willst du, dass wir dir bereiten / Er sprach | | • | Part 1. No. 10. Ich bin's, ich sollte buessen | | • | Part 1. No. 11. Er antwortete und sprach | | • | Part 1. No. 12. Wiewohl mein Herz in Traenen schwimmt | | • | Part 1. No. 13. Ich will dir mein Herze schenken | | • | Part 1. No. 14. Und da sie den Lobgesang gesprochen hatten | | • | Part 1. No. 15. Erkenne mich, mein Huetter | | • | Part 1. No. 16. Petrus aber antwortete | | • | Part 1. No. 17. Ich will hier bei dir stehen | | • | Part 1. No. 18. Da kam Jesus mit ihnen zu einem Hofe | | • | Part 1. No. 19. O Schmerz! hier zittert das gequaelte Herz | | • | Part 1. No. 20. Ich will bei meinem Jesu wachen | | • | Part 1. No. 21. Und ging hin ein wenig | | • | Part 1. No. 22. Der Heiland faellt vor seinem Vater nieder | | • | Part 1. No. 23. Gerne will ich mich bequemen | | • | Part 1. No. 24. Und er kam zu seinen Juengern | | • | Part 1. No. 25. Was mein Gott will, das g'scheh' allzeit | | • | Part 1. No. 26. Und er kam und fand sie aber schlafend | | • | Part 1. No. 27. So ist mein Jesus nun gefangen / Sind Blitze, sind Donner in Wolken verschwunden | | • | Part 1. No. 28. Und siehe, einer aus denen | | • | Part 1. No. 29. O Mensch, bewein' dein Suende gross | | • | Part 1. No. 1. Kommt, ihr Toechter, helft mir klagen | | • | Part 1. No. 2. Da Jesus diese Rede vollendet hatte | | • | Part 1. No. 3. Herzliebster Jesu, was hast du verbrochen | | • | Part 1. No. 4. Da versammleten sich die Hohenpriester / Ja nicht auf das fest / Da nun Jesus war zu | | • | Part 1. No. 5. Du lieber Heiland du | | • | Part 1. No. 6. Buss und Reu | | • | Part 1. No. 7. Da ging hin der Zwoelfen einer |
Disc 6
| • | Part 2. No. 30. Ach! nun ist mein Jesus hin | | • | Part 2. No. 31. Die aber Jesum gegriffen hatten | | • | Part 2. No. 32. Mir hat die Welt trueglich gericht't | | • | Part 2. No. 33. Und wiewold viel falsche Zeugen herzutraten | | • | Part 2. No. 34. Mein Jesus schweigt zu falschen Luegen stille | | • | Part 2. No. 35. Geduld, Geduld! | | • | Part 2. No. 36. Und der Hohepriester antwortete / Er ist des Todes schuldig / Da speieten sie aus i | | • | Part 2. No. 37. Wer hat dich so geschlagen | | • | Part 2. No. 38. Petrus aber sass draussen im Palast / Wahrlich, du bist auch einer von denen | | • | Part 2. No. 39. Erbarme dich | | • | Part 2. No. 40. Bin ich gleich von dir gewichen | | • | Part 2. No. 41. Das Morgens aber heilten alle Hohenpriester / Was gehet uns das an / Und er warf di | | • | Part 2. No. 42. Gebt mir meinen Jesum wieder | | • | Part 2. No. 43. Sie heilten aber einen Rat | | • | Part 2. No. 44. Befiehl du deine Wege | | • | Part 2. No. 45. Auf das Fest aber hatte der Landpfleger / Lass in kreuzigen! | | • | Part 2. No. 46. Wie wunderbarlich ist doch diese Strafe | | • | Part 2. No. 47. Der Landpfleger sagte | | • | Part 2. No. 48. Er hat uns allen wohlgetan | | • | Part 2. No. 49. Aus Liebe will mein Heiland sterben | | • | Part 2. No. 50. Sie schrieen aber noch mehr / Lass in kreuzigen! / Da aber Pilatus sahe / Sein Blut | | • | Part 2. No. 51. Erbarm es Gott | | • | Part 2. No. 52. Koennen Traenen meiner Wangen | | • | Part 2. No. 53. Da nahmen Kriegsknechte / Gegruesset seist du, Judenkoenig / Und speieten ihn an | | • | Part 2. No. 54. O Haupt voll Blut und Wunden | | • | Part 2. No. 55. Und da sie ihn verspottet hatten | | • | Part 2. No. 56. Ja! freilich will in uns das Fleisch und Blut | | • | Part 2. No. 57. Komm, suesses Kreuz | | • | Part 2. No. 58. Und da sie an die Staette kamen / Der du den Tempel Gottes zerbrichst / Desgleichen | | • | Part 2. No. 59. Ach, Golgatha, unsel'ges Golgatha | | • | Part 2. No. 60. Sehet Jesus hat die hand |
Disc 7
| • | Part 2. No. 61. Und von der sechsten Stunde / Der rufet dem Elias / Und bald lief einer unter ihnen | | • | Part 2. No. 62. Wenn ich einmal soll scheiden | | • | Part 2. No. 63. Und siehe da, der Vorhang im Tempel zerriss / Wahrlich, dieser ist Gottes Sohn gewe | | • | Part 2. No. 64. Am Abend da es kuehle war | | • | Part 2. No. 65. Mache dich, mein Herze, rein | | • | Part 2. No. 66. Und Joseph nahm den Leib / Herr, wir haben gedacht / Pilatus sprach zu ihnen | | • | Part 2. No. 67. Nun ist der Herr zu Ruh gebracht | | • | Part 2. No. 68. Wir setzen uns mit Traenen nieder | | • | Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta. Ricercar a 3 (clavecin) | | • | Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta. Canon Perpetuus super Thems Regium (2 claveci | | • | Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta. Ricercar a 6 (clavecin) | | • | Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta. Canon; quaerendo invenientis (clavicin); [2 v | | • | Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta. Canon a 4 (2 clavecins) | | • | Sonata sopr'il Soggetto Reale. Largo | | • | Sonata sopr'il Soggetto Reale. Allegro | | • | Sonata sopr'il Soggetto Reale. Andante | | • | Sonata sopr'il Soggetto Reale. Allegro | | • | Canon perpetuus (flute, violon et continuo) | | • | 6 Canones Diversi Super Thema Regium. 1. [Canon cancrizans] (clavecin) | | • | 6 Canones Diversi Super Thema Regium. 2. Violino in unisono (clavecin et violon) | | • | 6 Canones Diversi Super Thema Regium. 3. Per motum contrarium (2 clavecins) | | • | 6 Canones Diversi Super Thema Regium 4. Per augmentatinem, contrario motu (2 clavecins) "Notulis cr | | • | 6 Canones Diversi Super Thema Regium. 5. "Ascendenteque Modulationis ascendat Gloria Regis" (2 clav | | • | 6 Canones Diversi Super Thema Regium. 6. "Fuga canonica in Epidiapente" (2 clavecins) |
Disc 8
| • | Contrapunctus 1 | | • | Contrapunctus 2 | | • | Contrapunctus 3 | | • | Contrapunctus 4 | | • | Canon alla Ottava | | • | Contrapunctus 5 | | • | Contrapunctus 6 | | • | Contrapunctus 7 | | • | Canon all Duodecima in Contrapunto alla Quinta | | • | Contrapunctus 9 | | • | Contrapunctus 10 | | • | Canon all decima [in] Contrapunto all Terza | | • | Contrapunctus 8 | | • | Contrapunctus 11 | | • | Contrapunctus 12 rectus | | • | Contrapunctus 12 inversus | | • | Contrapunctus [13] rectus | | • | Contrapunctus [13] inversus | | • | Canon per Ayugmentationem in Contrario Motu | | • | Fuga a 3 Soggetti |
Disc 9
| • | Prologue. Ouverture | | • | Prologue. En vain, j'ai respecte | | • | Prologue. Air pour les Nymphes de Flore | | • | Prologue. La saison des frimats | | • | Prologue. Air pour la Suite de Flore (Gavotte) | | • | Prologue. Prelude pour Melpomene | | • | Prologue. Air pour la Suite de Melpomene | | • | Prologue. Ritournelle | | • | Prologue. Menuet | | • | Prologue. Reprise de l'Ouverture | | • | Acte 1. Scene 1. Ritournelle. | | • | Acte 1. 2. Atys, ne feignez plus | | • | Acte 1. Scene 3. Allons, allons, accourez tous | | • | Acte 1. Scene 4. Atys, est trop heureux | | • | Acte 1. Scene 4. Un amour malheureux | | • | Acte 1. Scene 5. On voit dans ces campagnes | | • | Acte 1. Scene 6. Si l'hymen unissait | | • | Acte 1. Scene 7. Mais dejas de ce mont sacre | | • | Acte 1. Scene 7. Entree de Phrygiens | | • | Acte 1. Scene 8. Second Air des Phrygiens | | • | Acte 1. Scene 8. Prelude | | • | Acte 1. Scene 8. Venez tous dans mon temple | | • | Acte 2. Scene 1. Ritournelle...Qu'un indifferent est heureux | | • | Acte 2. Scene 2. Prelude | | • | Acte 2. Scene 2. Je veux joindre | | • | Acte 2. Scene 3. Tu t'etonnes, Melisse | | • | Acte 2. Scene 3. Que les plus doux Zephyrs | | • | Acte 2. Scene 4. Entree des Nations | | • | Acte 2. Scene 4. Entree des Zephyrs | | • | Acte 2. Scene 4. Que devant vous | | • | Acte 2. Scene 4. Indigne que je suis | | • | Acte 2. Scene 4. Que devant vous (reprise) | | • | Acte 2. Scene 4. Air des Zephyrs (reprise) |
Disc 10
| • | Acte 3. Scene 1. Ritournelle. Que servent les faveurs | | • | Acte 3. Scene 2. Peut-on ici parler | | • | Acte 3. Scene 3. Le plus juste parti. Scene 3 | | • | Acte 3. Scene 4. Prelude...Dormons, dormons tous | | • | Acte 3. Scene 4. Prelude | | • | Acte 3. Scene 4. Ecoute, ecoute, Atys | | • | Acte 3. Scene 4. Que l'Amour a d'attraits | | • | Acte 3. Scene 4. Goute en paix | | • | Acte 3. Scene 4. Trop hereux un amant | | • | Acte 3. Scene 4. Garde-toi d'offenser | | • | Acte 3. Scene 4. L'amour qu'on outrage | | • | Acte 3. Scene 5. Venez a mon secours. Scene 6 | | • | Acte 3. Scene 7. Qu'Atys dans ses respects | | • | Acte 3. Scene 8. Ritournelle...Espoir si cher et si doux | | • | Acte 4. Scene 1. Vous pleurez! | | • | Acte 4. Scene 2. Prelude | | • | Acte 4. Scene 2. Belle nymphe. Scene 3. | | • | Acte 4. Scene 4. Ritournelle. Qu'il sait peu son malheur | | • | Acte 4. Scene 4. Je jure / Je promets | | • | Acte 4. Scene 5. Prelude. O vous qui prenez part | | • | Acte 4. Scene 5. Que l'on chante | | • | Acte 4. Scene 5. Gavotte. La beaute la plus severe | | • | Acte 4. Scene 5. Menuet. L'hymen seul ne saurait plaire | | • | Acte 4. Scene 5. Menuet. Une constance extreme | | • | Acte 4. Scene 5. Gavotte. Un grand calme | | • | Acte 4. Scene 6. Venez former |
Disc 11
| • | Acte 5. Scene 1. Ritournelle | | • | Acte 5. Scene 1. Vous m'otez Sangaride | | • | Acte 5. Scene 2. Venez vous livrer | | • | Acte 5. Scene 2. Toi qui portes partout | | • | Acte 5. Scene 3. Ciel | | • | Acte 5. Scene 3. Atys lui-meme | | • | Acte 5. Scene 4. Quoi! Sangaride est morte! | | • | Acte 5. Scene 5. Je commence a trouver | | • | Acte 5. Scene 6. Il s'est perce le sein | | • | Acte 5. Scene 6. Ritournelle | | • | Acte 5. Scene 6. Venez, furieux Corybantes. Scene derniere | | • | Acte 5. Scene derniere. Entree des Nymphes | | • | Acte 5. Scene derniere. Premiere Entree des Corybantes | | • | Acte 5. Scene derniere. Seconde Entree | | • | Acte 5. Scene derniere. Que le malheur d'Atys |
Disc 12
| • | Praeludium | | • | Aria, Variatio | | • | [Finale] | | • | Sonata | | • | Allamanda | | • | [Finale] | | • | Sonata | | • | Courente, Double | | • | [Finale] | | • | Praeludium | | • | Allamanda | | • | Gigue | | • | Sarabanda, Double | | • | Stabat mater dolorosa. Largo | | • | Cujus animam gementem. Adagio | | • | O quam tristis. Andante | | • | Quis est homo. Largo | | • | Quis non posset. Adagio | | • | Pro peccatis suae gentis. Andante | | • | Eja mater, fons amoris. Largo | | • | Fac ut ardeat. Lento | | • | Amen. Allegro |
Disc 13
| • | Sonata & Coro. Du aber, Daniel, gehe hin | | • | Rezitativo & Aria. Mit Freunden folgt die Seele - Du Aufenthalt der blassen Sorgen | | • | Rezitativo & Aria. Mit sehnendem Verlangen - Brecht, ihr mueden Augenlieder | | • | Rezitativo. Dir ist, hochsel ger Mann, dies Glueck geschehen | | • | Adagio. Schlaft wohl, ihr seligen Gebeine | | • | Prelude non mesure | | • | Allemande | | • | Courante | | • | Sarabande grave | | • | Gigue | | • | Prelude non mesure | | • | Allemande | | • | Courante | | • | Sarabande | | • | Gigue | | • | Chaconne en rondeau | | • | Prelude non mesure | | • | Allemande | | • | Courante | | • | Sarabande | | • | Gigue | | • | Tombeau de M. de Chambonnieres | | • | Chaconne en rondeau |
Disc 14
| • | Fantasia | | • | Fantasia | | • | Fantasia | | • | Courante | | • | Courante | | • | Courante |
Disc 15
| • | L'umor svegliato | | • | Strepito di Pescatori | | • | Parone di barca e Ninetta | | • | Barcaruolo a passaggieri | | • | Libraio Fiorentino | | • | Maestro di musica Luchese | | • | Cinque cantori in diverse lenguaggi | | • | Venetiano e Thedesco | | • | Madrigale affettuoso | | • | Madrigale capriccioso | | • | Mattinata in dialogo | | • | Dialogo | | • | Mercante Bresciano et Hebrei | | • | Madrigale alla Romana. (Stile del Marenzio Romano) | | • | Madrigale alla Napolitana. (A imitatione del Spano Napolitano) | | • | Prima Ottava all'improvviso nel liuto | | • | Seconda Ottava all'improvviso nel liuto | | • | Aria a imitatione del Radesca alla Piamontese | | • | Barcaruoli procaccio e tutti al fine | | • | Soldato svaligiato | | • | Ouverture | | • | Courante | | • | Gavotte en rondeau | | • | Branle | | • | Sarabande | | • | Fantasie | | • | Menuet 1 - Menuet 2 | | • | Rossignol | | • | Allegro moderato et marque | | • | Andante | | • | Presto | | • | Andante | | • | Menuetto | | • | Allegro |
Disc 16
| • | Sinfonia avanti l'opera Croesus | | • | Act 1. Scene 1. Coro. Croesus herrsche, Croesus lebe | | • | Act 1. Scene 1. Recitativo. Ihr edlen Lydier | | • | Act 1. Scene 1. Aria. Prangt die allerschoenste Blume | | • | Act 1. Scene 2. Aria. Hoffe noch, gekraenktes Herz! | | • | Act 1. Scene 2. Recitativo. Du weisst, wie Cyrus' Macht | | • | Act 1. Scene 2. Arietta. Empfinden gleiche Schmerzen | | • | Act 1. Scene 3. Aria. Lieben, Leiden, Bitten, Flehen | | • | Act 1. Scene 3. Recitativo. Prinz Atis, wie dir ist bewusst | | • | Act 1. Scene 4. Aria. Wahre Treu kann nicht auf Erden | | • | Act 1. Scene 5. Aria. Er erweckt in meinem Herzen | | • | Act 1. Scene 6. Recitativo con aria. Verliebter Prinz - Sobald dich nur mein Auge sah | | • | Act 1. Scene 6. Recitativo. Was zeigt der Prinz, geliebter Knabe? | | • | Act 1. Scene 6. Aria con recitativo. Durch der Haare gueldne Stricke | | • | Act 1. Scene 7. Recitativo. Der Koenig will euch gerne sprechen...Terzetto. Du musst scheiden | | • | Act 1. Scene 8. Duetto. Ich sae' auf wilde Wellen | | • | Act 1. Scene 9. Duetto. Blindes Feu'r, das mich verzehret...Quartetto. Clerida, du haellst gefangen | | • | Act 1. Scene 10. Aria. Traure nicht...Recitativo. Wo ich bei diesen Fackeln | | • | Act 1. Scene 10. Recitativo. Orsanes, musst du denn dem stummen Atis weichen | | • | Act 1. Scene 11. Recitativo con aria. Hoert, wie die Eulen - Liebes-Schmerzen geschlossener Herzen | | • | Act 1. Scene 12. Recitativo. Darf Cyrus dann den Frieden brechen?...Scene 13. Recitativo. Es ist de | | • | Act 1. Scene 14. Recitativo. Muss ich in meinem Herzen | | • | Act 1. Scene 14. Aria. Liebe, treibst du denn nur Spiel | | • | Act 1. Scene 15. Recitativo con aria. Seht, wie die elementschen Affen - Das Blinkern und Flinkern | | • | Act 1. Scene 15. Chaconne. Ballett von Harlekinen | | • | Act 1. Scene 16. Aria. Lass ich meine siegenden Waffen nur sehen | | • | Act 1. Scene 16. Recitativo. Ihr Helden, folget dann | | • | Act 1. Scene 16. Ballet von persischen Soldaten | | • | Act 1. Scene 17. Recitativo. Der Perser Schwert und Pfeile | | • | Act 1. Scnee 18. Ritornello con aria. So jauchzet mein froehlicher Mut! | | • | Act 1. Scene 18. Recitativo. Hier ist die reichste Beute |
Disc 17
| • | Act 2. Scene 1. Ritornello | | • | Act 2. Scene 1. Duetto. Kleine Voeglein, die ihr springet | | • | Act 2. Scene 2. Recitativo. Orsanes treulos? | | • | Act 2. Scene 3. Recitativo. Seht, wie Herr Elcius ist ein Politicus...Aria. Mein Kaetchen ist ein Mae | | • | Act 2. Scene 3. Ballett von Bauren und Bauren-Kindern | | • | Act 2. Scene 4. Duetto. Freundliche Liebe, wie freust du mein Herz! | | • | Act 2. Scene 5. Recitativo. Kann meine Treu Orsanen nicht bewegen?...Aria. Mein Elmir, meine Wonne. | | • | Act 2. Scene 5. Aria. Ihr stummen Fische seid dem gleich | | • | Act 2. Scene 5. Recitativo. Du stellest dich, als hoerest du nicht | | • | Act 2. Scene 5. Aria. Soll dann so grosser Hohn | | • | Act 2. Scene 6. Recitativo. Sobald ich werd' erhoeht zu dieser Wuerde | | • | Act 2. Scene 6. Duetto (Eliates, Orsanes) Die Regierungslast zu tragen...Chorus. Waffen, Hilfe, Hil | | • | Act 2. Scene 7. Recitativo. Wir sind verlor'n! | | • | Act 2. Scene 8. Recitativo. Holdseligste Elmir | | • | Act 2. Scene 8. Aria. Liebe, sag', was faengst du an? | | • | Act 2. Scene 9. Recitativo. Hier bring ich Atis' Ebenbild | | • | Act 2. Scene 9. Aria. Alle Freude leicht verstiebet | | • | Act 2. Scene 10. Recitativo. Was seh ich! | | • | Act 2. Scene 11. Aria. Ich lieb' und bin geliebet | | • | Act 2. Scene 11. Recitativo. Prinzessin, darf ein Sklav' | | • | Act 2. Scene 11. Aria. Ist niemand bewusst | | • | Act 2. Scene 11. Recitativo. Wie! Darfst du nochmals solche Reden wagen? | | • | Act 2. Scene 11. Aria. Mir gefaellt in seinem Munde | | • | Act 2. Scene 12. Recitativo. Hoer' dann, dies ist der Dienst | | • | Act 2. Scene. 13. Recitativo con aria. Brill, Brill, Feder und Tinte - Kommt ihr Herren, kommt zu k | | • | Act 2. Scene 14. Aria. Niemand kann aus dieser Ketten | | • | Act 2. Scene 14. Recitativo. Knie nieder, und wirf dich zur Erden | | • | Act 2. Scene 14. Aria. Ihr tapfern Soldaten, frohlocket nun wieder | | • | Act 2. Scene 14. Entree, Passepied der Feuerwerker |
Disc 18
| • | Act 3. Scene 1. Aria. Die Flamme steigt | | • | Act 3. Scene 1. Recitativo. Find' ich Orsan so frueh...Scene 2. Aria. Weil's dem Himmel so gefaellt | | • | Act 3. Scene 2. Recitativo. Ermin, wie ist es abgegangen? | | • | Act 3. Scene 3. Recitativo. Der Himmel sei gepriest...Aria. Fuehlst du noch der Liebe Kerzen | | • | Act 3. Scene 3. Recitativo. Schoenstes Kind, du irrest dich | | • | Act 3. Scene 4. Recitativo. Der Abgesandte bringt vom Feinde | | • | Act 3. Scene 4. Aria. Waffnet, was kann Waffen tragen | | • | Act 3. Scene 5. Aria. Elmir! wo bleibest du? | | • | Act 3. Scene 5. Recitativo. Prinzessin! | | • | Act 3. Scene 5. Aria. Mich vergnueget dieses Hoehnen | | • | Act 3. Scene 6. Recitativo. Unsinniger, find ich dich hier? | | • | Act 3. Scene 6. Recitativo. Mich Unglueckseligen...Aria. Wertes Glueck, verlass mich nicht! | | • | Act 3. Scene 7. Ritornello con aria. Soll des Goldes Glanz recht glimmen | | • | Act 3. Scene 7. Recitativo. Prinzessin! | | • | Act 3. Scene 7. Aria. Sollte der mich herzlich lieben | | • | Act 3. Scene 8. Arietta. Zarte Jungfern | | • | Act 3. Scene 8. Recitativo. Hier, wey je nich dat neye Lied | | • | Act 3. Scene 8. Aria. Schmink', ein Kleinod dieser Zeit...Recitativo. Hier hab ich Schnupftobak | | • | Act 3. Scene 9. Duetto. Nein, nein, nun will ich nicht mehr lieben | | • | Act 3. Scene 10. Recitativo. Prinz, weisst du, dass Ermin mit mir von Liebe spricht? | | • | Act 3. Scene 10. Aria. Dieses Schmaehen, das ich leide | | • | Act 3. Scene 12. Aria. Goetter, uebt Barmherzigkeit! | | • | Act 3. Scene 13. Recitativo. Fort, fuehrt ihn auf den Scheiterhaufen! | | • | Act 3. Scene 13. Recitativo. Umsonst, macht neues Feuer | | • | Act 3. Scene 13. Aria. Solon, weiser Solon | | • | Act 3. Scene 13. Recitativo. Welch eine Gottheit ruft er an? | | • | Act 3. Scene 13. Coro. Glueckliche Stunden, erfreulicher Tag |
Disc 19
| • | Andante | | • | Poco adagio | | • | Presto | | • | Moderato | | • | Adagio | | • | Finale Allegro molto | | • | 1. Adagio - Allegro | | • | 2. Andante | | • | 3. Finale. Presto |
Disc 20
| • | Kyrie. Kyrie | | • | Kyrie. Christe | | • | Kyrie. Kyrie | | • | Gloria. Gloria in excelsis Deo | | • | Gloria. Laudamus te | | • | Gloria. Gratias | | • | Gloria. Domine Deus | | • | Gloria. Qui tollis | | • | Gloria. Quoniam | | • | Gloria. Cum sancto Spiritu | | • | Credo. Credo in unum Deum | | • | Credo. Crucifixus | | • | Credo. Et resurrexit | | • | Credo. Et vitam venturi | | • | Prelude religieux (pendant l'Offertoire) | | • | Ritournelle | | • | Sanctus | | • | O salutaris | | • | Agnus Dei |
Disc 21
| • | Allegro vivace | | • | Andante | | • | Allegreto | | • | Seit ich ihn geschen | | • | Er, der Herrlichste von allen | | • | Ich kann's nicht fassen | | • | Du Ring an meinem Finger | | • | Helft mir, ihr Schwestern | | • | Suesser Freund | | • | An meinem Herzen | | • | Nun hast du mir den ersten Schemrz getan | | • | Allegro appasionato | | • | Andante un poco adagio | | • | Allegretto grazioso | | • | Vivace |
Disc 22
| • | Suite en Sol. Les Tricotets. Rondeau | | • | Suite en Sol. L'Indifferente | | • | Suite en Sol. Menuet - Deuxieme menuet | | • | Suite en Sol. La Poule | | • | Suite en Sol. Les Triolets | | • | Suite en Sol. Les Sauvages | | • | Suite en Sol. L'Enharmonique | | • | Suite en Sol. L'Egyptienne | | • | Allegro con brio | | • | Marcia funebre (Adagio assai) | | • | Scherzo (Allegro vivace). Trio | | • | Finale (Allegro molto. Poco andante. Presto) |
Disc 23
| • | Villanelle. Quand viendra la saison nouvelle | | • | Le spectre de la rose. Souleve la paupiere close | | • | Sur les lagunes (lamento). Ma belle amie est morte | | • | Absence. Reviens, reviens, ma bien-aimee! | | • | Au cimetiere (clair de lune). Connaissez-vous la blanche tombe | | • | L ile inconnue. Dites, la jeune belle! | | • | Quadre Primer. Introduccion y escena | | • | Quadre Primer. Cancion del amor dolido | | • | Quadre Primer. Sortilegio | | • | Quadre Primer. Danza del fin del dia | | • | Quadre Primer. Escena | | • | Quadre Primer. Romance del pescador | | • | Quadre Primer. Intermezzo | | • | Quadre Segon. Introduccion | | • | Quadre Segon. Escena | | • | Quadre Segon. Danza del fuego fatuo | | • | Quadre Segon. Interludio | | • | Quadre Segon. Cancion del fuego fatuo | | • | Quadre Segon. Conjuro para reconquistar el amor perdido | | • | Quadre Segon. Escena | | • | Quadre Segon. Danza y cancion de la bruja fingida | | • | Quadre Segon. Final |
Disc 24
| • | Andante molto | | • | Allegretto | | • | Andantino | | • | Allegro vivace | | • | Molto moderato | | • | Andante sostneuto | | • | Scherzo. Allegro vivace con delicatezza - Trio | | • | Allegro, ma non troppo |
Disc 25
| • | 1. Largo | | • | 2. Allegro | | • | 3. Allegretto | | • | 4. Largo | | • | 5. Largo |
Disc 26
| • | 1er mouvement | | • | 2e mouvement "tres calme" | | • | 3e mouvement "simple et sans hate" | | • | 4e mouvement "anime" | | • | 1. Nos soirees (Our evenings) Moderato | | • | 2. Une feuille emportee (A blown away leaf) Andante | | • | 3. Venez avec nous! (Come with us!) Andante | | • | 4. La Vierge de Frydek (The Madonna of Frydek) Grave | | • | 5. Elles bavardaient en hirondelles (They chattered like swallows) Con moto | | • | 6. La parole manque! (Words fail!) Andante | | • | 7. Bonne nuit! (Good night!) Andante | | • | 8. Anxiete indicible (Unutterable anguish) Andante | | • | 9. En pleurs (In tears) Larghetto | | • | 10. La cheveche ne s'est pas envolee! (The little owl has not flown away!) Andante |
Disc 27
| • | Andante. Con moto. Allegro | | • | Adagio. Vivace | | • | Moderato. Andante. Adagio | | • | Allegro. Andante. Adagio | | • | No. 1 Verbunkos | | • | No. 2 Pihenoe | | • | No. 3 Sebes | | • | Kyrie | | • | Gloria | | • | First Alleluia Verse | | • | Second Alleluia Verse | | • | Veni Sancte Spiritus | | • | Credo | | • | Sanctus | | • | Agnus Dei |
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Album Description
To celebrate its 50th Anniversay, harmonia mundi presents 50 masterworks in the development of Western classical music, performed by undisputed masters in their field. This set features over 36 hours of music (all complete works, no excerpts) of music in audiophile-quality sound, elequently packaged in a deluxe boxed set and offered at a very low price. Whether you are an inquisitive novice or a discerning connoisseur, you will be thrilled to experience the sonic triumphs of the world's most innovative independent label.
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| Customer Reviews:
AN AMAZING COLLECTION OF HIGH QUALITY PERFORMANCES! ; DEAL OF THE CENTURY! January 3, 2009
G. Engler (Walla Walla, WA)
I sat on the fence for a long time before purchasing this Harmonia Mundi 50th anniversary box set. Even though it was reasonably priced, it was still a lot of money to lay out all at once for CDs of (mostly) unknown works performed by unknown (ie, not famous) artists. Would I actually listen to all of this new music? Would I find it interesting enough to listen to more than once? Would it broaden my musical horizons?
The answer to all three questions was Yes, Yes, and YES!
In short, this is an absolutely amazing box set. If you have been listening to classical music for many years, or decades, and are ready to broaden your outlook/knowledge you won't go wrong. The works themselves range from those you have probably heard, or know to some extant (Bach / Matthew'sPassion, Art of Fugue, Chopin Ballads, Schubert Sonata D960, Fantasy in C etc) to those you are probably not as familiar with (Purcell/ King Arthur) to those that are completely unfamiliar (Keiser / Croesus). You will find them all enjoyable and enlightening.
In the case of the known works, some of the performances are revelatory. The aforementioned Bach pieces for example opened my ears to new interpretations that astounded me. Herreweghe's first recording of Matthew's Passion was a gorgeous, soulful interpretation of this masterwork that has me seeking out his other performances. Fretwork's interpretation of the Art of Fugue was nothing but delightful, and complements the versions on the shelf featuring piano, string quartet and organ (you know who) without replacing them.
The recordings themselves are state of the art. Its rare to find digital recordings with this degree of warmth, presence, and three dimensionality. A joy to listen to.
In conclusion - this is a set I will be holding on to, and returning to again and again. (My wife, a professional mezzo, commented on the high quality of the vocalists in several of the recordings). At less than $3 per disc (less if you can find it used) this set is quite simply the deal of the century.
I may now even splurge for the Deutsch Harmonia Mundi set!
Massive box set includes numerous delights April 21, 2008
Paul Allaer (Cincinnati)
7 out of 7 found this review helpful
Let me state upfront that I did not buy this set as such. I received it as a gift when I recently made a pledge to my local classical music station (WGUC here in Cincinnati) during their pledge drive. Imagine my good fortune, and surprise, when this arrievd at my house!
"Harmonia Mundi 50" (29 CDs, plus 1 CD-Rom; about 36 hours of music) is so massive and overwhelming that I will admist I haven't yet listened to every single piece of music yet. I have been picking out and listening to CDs that immediately appealed to me, either because of the composer, or the orchestra/artist playing it, or the venue where it was recorded (there are several CDs that have a Belgian connection, and I am from Belgium originally). But rest assured, I will make my way through all of the other CDs as well, as I am intruiged to discover what else is in here.
In all, this is quite the treat for any fan of classical music. Would I have bought it as such? I don't know. I've not seen this set in any music store that I go to regularly as this is an import, but if you do see it (or find it here on Amazon), I highly recommend it, you won't be disappointed.
 eclectic review March 18, 2008
Nathan Rich (Harbour Grace, Newfoundland, Canada)
1 out of 2 found this review helpful
I have found this interesting and informative. I was unfamiliar with most of the performers and with some of the content. I am pleased to have by this route broadened my experience. I recommend it.
Fantastic Value December 17, 2007
Voyager
4 out of 7 found this review helpful
Wonderfully varied selection of works, a treasure trove - everyone will discover something new, about 90% was new to me. The performances and sound are consistently outstanding.
Gorgeous Early Music for Amazing Value December 4, 2007
David Evenson
13 out of 15 found this review helpful
Harmonia Mundi has taken highlights from 50 years. While I love classical music, there are a lot of selections that I had not heard. I have been thoroughly surprised to enjoy 98% of the music on the 30 CDs. There are a couple of "editing" glitches where a track begins or ends more abrupt than usual. Nothing too serious. Overall, the quality is superb though there is at least one selection where I did not appreciate the recording quality. I've gone through all CDs about twice now and I'm VERY glad I bought this.
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