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FROM A BASEMENT ON THE HILL | 
enlarge | Artist: Elliott Smith Label: ANTI Category: Music
List Price: $15.98 Buy New: $15.17 You Save: $0.81 (5%)
New (6) Used (2) from $15.17
Rating: 107 reviews Sales Rank: 145364
Media: LP Record Discs: 1 Shipping Weight (lbs): 1 Dimensions (in): 12.1 x 12.1 x 0.3
UPC: 045778674114 EAN: 0045778674114 ASIN: B00031TX5Y
Release Date: October 19, 2004 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Shipping: International shipping available Condition: Brand new Item. CD, DVD, Book, VHS more than 400 000 titles to choose from. ALL days Low Price !
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| Tracks:
| • | Coast to Coast | | • | Let's Get Lost | | • | Pretty (Ugly Before) | | • | Don't Go Down | | • | Strung Out Again | | • | A Fond Farewell | | • | King's Crossing | | • | Ostrich & Chirping | | • | Twilight | | • | A Passing Feeling | | • | The Last Hour | | • | Shooting Star | | • | Memory Lane | | • | Little One | | • | A Distorted Reality Is Now a Necessity to Be Free |
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| Editorial Reviews:
Amazon.com Posthumous releases fall into two categories: those which the artist was working on at the time of their death, and those which are gathered from every nook and cranny to keep fans enthused and cash registers ringing. Elliott Smith's from a basement on the hill is of the former variety. It was close to completion at the time of his untimely death. Over the course of the set's 15 songs, Smith's powerful songwriting and production skills are shown in their full breadth. From thickly interlocked chordal guitar riffs ("Coast to Coast") to shimmering melancholia ("A Fond Farewell"), the songs are each brought to their own particular focus by whatever means were most appropriate. There are lush background vocals, keyboard washes, pounding rhythms, and heart rending balladry. This disc is a sad goodbye to richly emotive artist. --David Greenberger
Album Description Elliott Smith has been a patron saint of the indie scene since his days helming Portland heroes Heatmiser. As a solo artist, his fondness for Beatlesque melody led to some of the most beautifully orchestrated pop of the last decade. This is his final recording, which found him returning to an edgier, guitar-driven sound, alongside his trademark heart-rending balladry. MUZE Notes: Elliott Smith's death in 2003 left a cavernous hole in the world of popular music. Tender, intimate, and painfully honest, the songs in Smith's catalogue capture the fragility of human existence with rare, breathtaking beauty. On his first posthumous release, Smith reaffirms his status as an extraordinarily gifted artist, giving fans yet another reason to mourn his tragic loss. Conceived as an ambitious double album, FROM A BASEMENT ON THE HILL was ultimately narrowed down to 15 tracks by Smith's close friends, producer Rob Schnapf (Beck's MELLOW GOLD, Smith's X/O) and musician Joanna Bolme (the Minders, Stephen Malkmus & the Jicks). The result is a heartbreaking collection of songs that plays like a retrospective of Smith's entire career. "Strung Out Again" reflects the early edge of ROMAN CANDLE; "Last Hour" recalls the bittersweet melodies of ELLIOTT SMITH; "A Fond Farewell" is a sad anthem in the tradition of EITHER/OR; "Shooting Star" employs the more polished sound of ! X/O; and "Don't Go Down" is an extension of the more electrified FIGURE 8. Of course, the most haunting aspect of FROM A BASEMENT ON THE HILL is the lyrical content, which is impossible to hear without placing it in the context of Smith's untimely passing.
Album Description Elliott Smith has been a patron saint of the indie scene since his days helming Portland heroes Heatmiser. As a solo artist, Smith led a revolution of home four-trackers, from Beck to Cat Power, out of the bedroom and into the studio, where Smith's fondness for Beatlesque melody led to some of the most beautifully orchestrated pop of the last decade. from a basement on the hill is Smith's final recording and finds Smith returning to an edgier, guitar-driven sound, alongside his trademark heart-rending balladry.
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| Customer Reviews:
Kiwi Maddog 20/20 December 22, 2008 Todd Liggitt (Los Angeles) 1 out of 1 found this review helpful
If I had to listen to just one artist forever in the afterlife, it would be Elliott. Elliott is the greatest artist I have ever known, and I have listened to all of the greats thoroughly. I would like to think that 500 years into the future, if the world still exists as a free place where humans live (I doubt it), that Elliott would someday claim his rightful place as the Mozart of this 100+ year period. He has filled my life with happiness and beauty, and I wish I could give him a hug and say thanks.
it rocks, it weeps August 25, 2008 A. Fabbri (seattle, wa USA) 1 out of 1 found this review helpful
I was hooked after the first two tracks. Does Elliot Smith have any bad material?
Like peeling an onion July 17, 2008 M. Giersch (Pacific NW) Think Twilight and you begin to understand the Elliot Smith sound. As a fan moving from Beatles, 70's Art Rock, The Cure and Grunge, Elliot came as a pleasant surprise and I hear elements of all those in his music. His sound is hauntingly familiar, yet sweetly original. This is a great album, full of variety. My favorites change as I listen to it. Like peeling an onion, the deeper I go the more I find and it almost makes me cry.
Descent album April 7, 2008 Crystal Cardwell (Chicago, IL USA) 0 out of 1 found this review helpful
I am an intermittent fan. I have to really be down in the dumps--trying to have a pity party to finish an album. Sorry RIP, I love the songs, just not all the time.
....a genius taken too soon. March 10, 2008 Matthew D. Zarnstorff (Wisconsin) This is a haunting collection from a true song writing genius. We will never know what he intended for these songs, as the debate about that will live on. We can be thankful for what he gave all of us. Matt Zarnstorff (Wisconsin, USA)
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